At 28, Stephanie Land's plans of breaking free from the roots of her hometown in the Pacific Northwest to chase her dreams of attending a university and becoming a writer were cut short when a summer fling turned into an unexpected pregnancy. She turned to housekeeping to make ends meet, and with a tenacious grip on her dream to provide her daughter the very best life possible, Stephanie worked days and took classes online to earn a college degree, and began to write relentlessly. She wrote the true stories that weren't being told: the stories of overworked and underpaid Americans. Of living on food stamps and WIC (Women, Infants, and Children) coupons to eat. Of the government programs that provided her housing, but that doubled as halfway houses. The aloof government employees who called her lucky for receiving assistance while she didn't feel lucky at all. She wrote to remember the fight, to eventually cut through the deep-rooted stigmas of the working poor.

Maid explores the underbelly of upper-middle class America and the reality of what it's like to be in service to them. "I'd become a nameless ghost," Stephanie writes about her relationship with her clients, many of whom do not know her from any other cleaner, but who she learns plenty about. As she begins to discover more about her clients' lives-their sadness and love, too-she begins to find hope in her own path.

Her compassionate, unflinching writing as a journalist gives voice to the "servant" worker, and those pursuing the American Dream from below the poverty line. Maid is Stephanie's story, but it's not her alone. It is an inspiring testament to the strength, determination, and ultimate triumph of the human spirit.

Journalist Stephanie Land's work has been featured in The New York Times, The Washington Post, The Guardian, Vox, Salon, and many other outlets. She focuses on social and economic justice as a writing fellow through both the Center for Community Change and the Economic Hardship Reporting Project.

In Conversation with Sylvia Boorstein

What makes us who we are? What combination of memory, history, biology, experience, and that ineffable thing called the soul defines us?

In the spring of 2016, through a genealogy website to which she had whimsically submitted her DNA for analysis, Dani Shapiro received the stunning news that her father was not her biological father. She woke up one morning and her entire history--the life she had lived--crumbled beneath her.

Inheritance is a book about secrets--secrets within families, kept out of shame or self-protectiveness; secrets we keep from one another in the name of love. It is the story of a woman's urgent quest to unlock the story of her own identity, a story that has been scrupulously hidden from her for more than fifty years, years she had spent writing brilliantly, and compulsively, on themes of identity and family history. It is a book about the extraordinary moment we live in--a moment in which science and technology have outpaced not only medical ethics but also the capacities of the human heart to contend with the consequences of what we discover.

Timely and unforgettable, Dani Shapiro's memoir is a gripping, gut-wrenching exploration of genealogy, paternity, and love.

Dani Shapiro is the author of the memoirs Hourglass, Still Writing, Devotion, and Slow Motion and five novels including Black & White and Family History. Also an essayist and a journalist, Shapiro's short fiction, essays, and journalistic pieces have appeared in The New Yorker, Granta, Tin House, One Story, Elle, Vogue, O, The Oprah Magazine, The New York Times Book Review, the op-ed pages of the New York Times, and many other publications. She has taught in the writing programs at Columbia, NYU, the New School, and Wesleyan University; she is cofounder of the Sirenland Writers Conference in Positano, Italy. She lives with her family in Litchfield County, Connecticut.

Sylvia Boorstein, Ph.D., is a co-founding teacher at Spirit Rock Meditation Center in Woodacre, California, and a senior teacher at the Insight Meditation Society in Barre, Massachusetts. She writes a regular column for Shambhala Sun, lectures widely, and is the bestselling author of Happiness is an Inside Job; Pay Attention, for Goodness’ Sake; It’s Easier Than You Think; Don’t Just Do Something, Sit There; and That’s Funny, You Don’t Look Buddhist. A practicing psychotherapist, Boorstein is a frequent presenter at psychology conferences and training seminars. Sylvia and her husband, Seymour, divide their time between Sonoma County, California, and their home in France.

College of Marin, Kentfield Library

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Other College of Marin ESCOM Lectures:

Jasmin Darznik - Song of a Captive Bird

Tom Barbash - The Dakota Winters

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ESCOM is delighted to partner with Book Passage in bringing a free series of interesting authors to the community. ESCOM, the Emeritus Students College of Marin, is a unique organization of 1500 senior students within the Community Education Department at the College of Marin. The organization fosters lifelong learning through classes, clubs, special events and a reading room. They publish a newsletter of original writing and commentary. ESCOM is sustained by memberships, gifts and bequests. Leadership is through a Council and various committees.

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Saturday February 23 • 1:00 pm - 4:00 pm • $120

Have you ever felt as if you were wandering aimlessly with your writing, lost in the labyrinth without a clue how to get home again? Take heart! This one-day workshop explores the uncanny parallels between the writing life and Homer’s Odyssey by helping you visualize your work as a mythic journey. This intensive but entertaining approach will help you identify which stage you are on now, and through a series of writing exercises and practices that provide a map to guide you along the final stages of the publishing adventure.

**Class price includes a copy of The Book of Roads – Travel Stories from Michigan to Marrakech.

Phil Cousineau is the author of over 30 books, including the bestseller The Art of Pilgrimage, and the award-winning Stoking the Creative Fires, a documentary filmmaker, a frequent writer for television and radio, as well as a frequent leader of mythic tours and writing workshops in Greece. As a founding mentor in Book Passage’s Path to Publishing program, Cousineau will also offer insights into the metamorphosis that is reshaping the book world.

From a writer of “derelict luminosity” (David Mitchell) comes Broadsword Calling Danny Boy, a scene-by-scene exploration of Where Eagles Dare, one of cinema’s most cherished and popular films, on the occasion of its 50th anniversary.

Geoff Dyer has loved Where Eagles Dare since childhood. It is both a thrillingly realized Alpine World War II adventure with tough, compelling acting from its two great stars, Richard Burton and Clint Eastwood, and a flippant travesty, reducing the central disaster in Europe’s modern history to a series of huge explosions and peopled by campy SS officers. As he did in Zona–which took on Andrei Tarkovsky’s Stalker–here Dyer gives us a scene-by-scene reaction to and reading of the film. And perhaps as only he can, the author both extols and denigrates–lovingly and entertainingly no matter which way he falls–this acme of the late ’60s action movie.

A Fellow of the Royal Society of Literature and a member of the American Academy of Arts and Sciences, Geoff Dyer has received the Somerset Maugham Award, the E. M. Forster Award, a Lannan Literary Fellowship, a National Book Critics Circle Award for criticism, and the Windham Campbell Prize for nonfiction. The author of four novels and nine works of nonfiction, Dyer is writer in residence at the University of Southern California and lives in Los Angeles. His books have been translated into twenty-four languages.

Don George is the author of The Way of Wanderlust: The Best Travel Writing of Don George and of Lonely Planet's Guide to Travel Writing and the editor of ten anthologies, including A Moveable Feast, The Kindness of Strangers, Better Than Fiction, and An Innocent Abroad. George is Editor at Large for National Geographic Traveler, where he writes feature articles and the monthly Trip Lit column. He is also Editor of BBC Travel's literary travel column, Chance Encounters.

In July of 1953, at a glittering party thrown by Truman Capote in Portofino, Italy, Tennessee Williams and his longtime lover Frank Merlo meet Anja Blomgren, a mysteriously taciturn young Swedish beauty and aspiring actress. Their encounter will go on to alter all of their lives.

Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.

What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

Christopher Castellani is the author of three previous novels (the trilogy A Kiss from Maddalena, The Saint of Lost Things, and All This Talk of Love) and The Art of Perspective, a book of essays on the craft of fiction. He is the son of Italian immigrants, a Guggenheim fellow, and the artistic director of GrubStreet, one of the country's leading creative writing centers. He lives in Boston.

From iconic books like Neuromancer to blockbuster films like The Matrix, virtual reality has long been hailed as the ultimate technology. But outside of a few research labs and military training facilities, this tantalizing vision of the future was nothing but science fiction. Until 2012, when Oculus founder Palmer Luckey—then just a rebellious teenage dreamer living alone in a camper trailer—invents a device that has the potential to change everything.

With the help of a videogame legend, a serial entrepreneur and many other colorful characters, Luckey’s scrappy startup kickstarts a revolution and sets out to bring VR to the masses. As with most underdog stories, things don’t quite go according to plan. But what happens next turns out to be the ultimate entrepreneurial journey: a tale of battles won and lost, lessons learned and neverending twists and turns—including an unlikely multi-billion-dollar acquisition by Facebook’s Mark Zuckerberg, which shakes up the landscape in Silicon Valley and gives Oculus the chance to forever change our reality.

Drawing on over a hundred interviews with the key players driving this revolution, The History of the Future weaves together a rich, cinematic narrative that captures the breakthroughs, breakdowns and human drama of trying to change the world. The result is a super accessible and supremely entertaining look at the birth of a game-changing new industry.

Blake J. Harris is the bestselling author of Console Wars: Sega, Nintendo and the Battle that Defined a Generation, which is currently being adapted into a feature film by Seth Rogen, Evan Goldberg and Scott Rudin. He has written for ESPN, IGN, Fast Company, The Huffington Post, /Film and The AV Club. He is also a regular guest on Paul Scheer’s How Did This Get Made? podcast, where every week he interviews some the biggest names responsible for some of the worst movies ever made. Harris lives in New York with his wife.

Eight Tuesdays; Feb. 26 - April 16, 2019, • 3:30 - 5:00 pm • $265

These sequential courses are designed for those who have no or very little knowledge of French. We work with pronunciation, vocabulary enrichment, and short conversations.

Anne–Marie Lebas is a native of France who has taught in the Bay Area for over 20 years. She teaches with great enthusiasm and energy and creates a lively and comfortable learning environment for students at any level.

Quick-witted, ambitious Ji Lin is stuck as an apprentice dressmaker, moonlighting as a dancehall girl to help pay off her mother's Mahjong debts. But when one of her dance partners accidentally leaves behind a gruesome souvenir, Ji Lin may finally get the adventure she has been longing for.

Eleven-year-old houseboy Ren is also on a mission, racing to fulfill his former master's dying wish: that Ren find the man's finger, lost years ago in an accident, and bury it with his body. Ren has 49 days to do so, or his master's soul will wander the earth forever.

As the days tick relentlessly by, a series of unexplained deaths racks the district, along with whispers of men who turn into tigers. Ji Lin and Ren's increasingly dangerous paths crisscross through lush plantations, hospital storage rooms, and ghostly dreamscapes.

Yangsze Choo's The Night Tiger pulls us into a world of servants and masters, age-old superstition and modern idealism, sibling rivalry, and forbidden love. But anchoring this dazzling, propulsive novel is the intimate coming-of-age of a child and a young woman, each searching for their place in a society that would rather they stay invisible.

Yangsze Choo is a fourth-generation Malaysian of Chinese descent. Due to a childhood spent in various countries, she can eavesdrop (badly) in several languages. After graduating from Harvard University, she worked as a management consultant and at a startup before writing her first novel. The Ghost Bride, set in colonial Malaya and the elaborate Chinese world of the afterlife, is about a peculiar historic custom called a spirit marriage. Yangsze lives in California with her husband, two children, and a potential rabbit. She loves to eat and read, and often does both at the same time.

A mother and father set out with their kids from New York to Arizona. In their used Volvo -- and with their ten-year-old son trying out his new Polaroid camera -- the family is heading for the Apacheria: the region the Apaches once called home, and where the ghosts of Geronimo and Cochise might still linger. The father, a sound documentarist, hopes to gather an "inventory of echoes" from this historic, mythic place. The mother, a radio journalist, becomes consumed by the news she hears on the car radio, about the thousands of children trying to reach America but getting stranded at the southern border, held in detention centers, or being sent back to their homelands, to an unknown fate.

But as the family drives farther west -- through Virginia to Tennessee, across Oklahoma and Texas -- we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can feel beneath their feet. They are led, inexorably, to a grand, unforgettable adventure--both in the harsh desert landscape and within the chambers of their own imaginations.

Told through the voices of the mother and her son, as well as through a stunning tapestry of collected texts and images -- including prior stories of migration and displacement -- Lost Children Archive is a story of how we document our experiences, and how we remember the things that matter to us the most. Blending the personal and the political with astonishing empathy, it is a powerful, wholly original work of fiction: exquisite, provocative, and deeply moving.

Valeria Luiselli was born in Mexico City and grew up in South Korea, South Africa and India. An acclaimed writer of both fiction and nonfiction, she is the author of the essay collection Sidewalks; the novels Faces in the Crowd and The Story of My Teeth; and, most recently, Tell Me How It Ends: An Essay in Forty Questions. She is the winner of two Los Angeles Times Book Prizes and an American Book Award, and has twice been nominated for the National Book Critics Circle Award and the Kirkus Prize. She has been a National Book Foundation "5 Under 35" honoree and the recipient of a Bearing Witness Fellowship from the Art for Justice Fund. Her work has appeared in The New York Times, Granta, and McSweeney's, among other publications, and has been translated into more than twenty languages. She lives in New York City.

Tickets: $23 (includes a copy of Travel as a Political Act)

Rick Steves believes there’s more to travel than good food and fun in the sun. Travelers who “travel as a political act” can have the time of their lives and come home smarter, with a better understanding of today’s world. In his inspirational lecture, Rick explains how, when we venture thoughtfully out of our comfort zone, we gain an empathy for the other 96 percent of humanity and come home with the greatest of all souvenirs: a broader perspective.

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Since 1973, Rick has spent about four months a year exploring Europe. His mission: to empower Americans to have European trips that are fun, affordable, and culturally broadening. Rick produces a best-selling guidebook series, a public television series, and a public radio show, and organizes small-group tours that take over 20,000 travelers to Europe annually. He does all of this with the help of a hardworking, well-traveled staff of 100 at Rick Steves' Europe in Edmonds, Washington, near Seattle. When not on the road, Rick is active in his church and with advocacy groups focused on economic justice, drug policy reform, and ending hunger. To recharge, Rick plays piano, relaxes at his family cabin in the Cascade Mountains, and spends time with his partner Trish, son Andy, and daughter Jackie.

Dave Eggers and Mokhtar Alkhanshali, the subject of Dave’s latest book, The Monk of Mokha, will be stopping by on March 3 at 2:00 p.m. as a part of their paperback book tour. The Monk of Mokha tells the incredible true story of a Yemeni-American man, raised in San Francisco, who dreams of resurrecting the ancient art of Yemeni coffee but finds himself trapped in Sana'a by civil war. Please join us in welcoming Dave and Mokhtar for some informal conversation about the new book and coffee and to sign copies of The Monk of Mokha.

Presented in Partnership with JIMENA: Jews Indigenous to the Middle East and North Africa

The four spies at the center of this story were part of a ragtag unit known as the Arab Section, conceived during World War II by British spies and Jewish militia leaders in Palestine. Intended to gather intelligence and carry out sabotage and assassinations, the unit consisted of Jews who were native to the Arab world and could thus easily assume Arab identities. In 1948, with Israel’s existence in the balance during the War of Independence, our spies went undercover in Beirut, where they spent the next two years operating out of a kiosk, collecting intelligence, and sending messages back to Israel via a radio whose antenna was disguised as a clothesline. While performing their dangerous work these men were often unsure to whom they were reporting, and sometimes even who they’d become. Of the dozen spies in the Arab Section at the war’s outbreak, five were caught and executed. But in the end the Arab Section would emerge, improbably, as the nucleus of the Mossad, Israel’s vaunted intelligence agency.

Spies of No Country is about the slippery identities of these young spies, but it’s also about Israel’s own complicated and fascinating identity. Israel sees itself and presents itself as a Western nation, when in fact more than half the country has Middle Eastern roots and traditions, like the spies of this story. And, according to Friedman, that goes a long way toward explaining the life and politics of the country, and why it often baffles the West. For anyone interested in real-life spies and the paradoxes of the Middle East, Spies of No Country is an intimate story with global significance.

Matti Friedman’s 2016 book Pumpkinflowers was chosen as a New York Times Notable Book and as one of Amazon’s 10 Best Books of the Year. It was selected as one of the year’s best by Booklist, Mother Jones, Foreign Affairs, the National Post, and the Globe and Mail. His first book, The Aleppo Codex, won the 2014 Sami Rohr Prize, the ALA’s Sophie Brody Medal, and the Canadian Jewish Book Award for history. A former AssociatedPress correspondent, Friedman has reported from Israel, Lebanon, Morocco, Moscow, the Caucasus, and Washington, DC, and his writing has appeared in the Wall Street Journal, the New York Times, the Atlantic, the Washington Post, and elsewhere. Friedman grew up in Toronto and now lives with his family in Jerusalem. 

Meet & Greet! 

Daphne Maritch doesn't quite know what to make of the heavily annotated high school yearbook she inherits from her mother, who held this relic dear. Too dear. The late June Winter Maritch was the teacher to whom the class of '69 had dedicated its yearbook, and in turn she went on to attend every reunion, scribbling notes and observations after each one—not always charitably—and noting who overstepped boundaries of many kinds.

In a fit of decluttering (the yearbook did not, Daphne concluded, "spark joy"), she discards it when she moves to a small New York City apartment. But when it's found in the recycling bin by a busybody neighbor/documentary filmmaker, the yearbook's mysteries—not to mention her own family's—take on a whole new urgency, and Daphne finds herself entangled in a series of events both poignant and absurd.
 
Good Riddance is a pitch-perfect, whip-smart new novel from an "enchanting, infinitely witty yet serious, exceptionally intelligent, wholly original, and Austen-like stylist" (Washington Post).

Elinor Lipman is the author of ten novels, including The View from Penthouse B and The Inn at Lake Devine; one essay collection, I Can’t Complain; and Tweet Land of Liberty: Irreverent Rhymes from the Political Circus. She lives in New York City.