All Classes

Online Class: Art History with Kerrin Meis - Innocents Abroad: American Artists in Europe, 1830-1930

Saturday, April 10, 2021 - 1:00pm to 3:00pm


Three Saturdays: April 10th, 17th & 24th, 2021

Hosted via Zoom • Live • 1:00-3:00pm PT • $120

The lure of Europe—Paris, Venice, Rome, and the Italian Countryside—proved irresistible for some of the most creative painters and sculptors of America.

Learn what attracted them, under whose influence they happily fell, and the remarkable works they created. Our cast of characters includes Samuel F.B. Morse, George Healy, Augustus Saint-Gaudens, Harriet Hosmer, Anne Whitney, Thomas Cole, George Inness, James McNeill Whistler, John Singer Sargent, Robert Frederick Blum, Mary Cassatt, Lilla Cabot Perry, Theodore Robinson, Maurice Prendergast, Robert Henri, Stanton Macdonald-Wright, and Arthur Matthews whose studies at the Academie Julian significantly altered artistic theory in California.

Suggested Reading:

  • The Greater Journey: Americans in Paris by David McCullough
  • Venice: The American View, 1860-1920 by Margaretta M. Lovell
  • The Lure of Italy: American Artists and the Italian Experience, 1760-1914 by Theodore Stebbins, Jr.

Kerrin Meis taught art history at SFSU for ten years and has led study tours in Europe. Her Book Passage classes have been favorites for years.

 

Cara Black - Five Things I've Learned About Crafting a Sense of Place (Online Class)

Sunday, April 11, 2021 - 1:00pm


Sunday, April 11th • Online

Live • 1:00-3:00pm PT• $60


Five Things I’ve Learned online classes connect you with creative leaders and thinkers eager to share the lessons of their own experience. Classes take place live, online, with an on-demand video archive so that you can easily view again whenever and wherever you like.


Discover the five things I’ve learned about the focal point of all great writing: Location. Location, Location.

How do the most successful writers so effectively transport their readers to another era, to another planet, to Timbuktu, or to a dark, rainy Paris street during World War II? To date, I’ve written nineteen books in the Private Investigator Aimée Leduc series and a historical standalone, Three Hours in Paris. In the process, I’ve thought a great deal about how a strong sense of place can immediately engage a story’s readers and how essentially location establishes a story’s themes and characters, shapes its plot, and determines the narrative’s possibilities.

I live in San Francisco, but each of my Aimée Leduc mysteries are set in Paris. In part because I work so hard to establish an authentic sense of that wonderful city, I’ve been fortunate to be recognized for my writing. I’ve received multiple nominations for the Anthony and Macavity Awards, a Washington Post Book World Book of the Year citation, the Médaille de la Ville de Paris—the Paris City Medal, which is awarded in recognition of contribution to international culture—and invitations to be the Guest of Honor at conferences such as the Paris Polar Crime Festival and Left Coast Crime. I also know that my writing travels: With more than 400,000 books in print, the Aimée Leduc series has been translated into German, Norwegian, Japanese, French, Spanish, Italian, and Hebrew.

In this online class, I’ll share the five things I’ve found most essential to my own ability to establish a strong sense of place, no matter the subject or location. A good part of creating a vivid sense of place is linked to preparation: Each time I return to Paris I make a point of entrenching myself in a different part of the city, learning its secret history. I’ve posed as a journalist to sneak into closed areas, trained at a firing range with real Paris flics, gotten locked in a bathroom at the Victor Hugo museum, and even gone down into the sewers with the rats so that my heroine Aimée can complete the same journey in a way that feels genuine and authentic to my readers.

I’m hoping to share a couple of these wonderful stories with you, but our time together will focus on some other essential strategies you can employ to make the settings in your stories come alive for your readers. I’ll share the ways I research a location before I sit down to write — what I first need to understand about a place before I can even begin a draft, the kinds of details I search for to make things vivid for my readers, and how later I focus my research once writing is underway. I’ll share how I invoke the five senses to bring key details to life in my writing; and the ways I use emotions and feelings to deepen, contrast, or complement the story’s essential elements. I’ll also share my thoughts about what I call “writer’s immersion,” and how this technique helps me uncover the most important, most telling details that keep my story moving forward.

It’s a lot to cover in a single sitting, but I’m confident you’ll find our time together worthwhile. When our class has concluded, you’ll know what it’s taken me a long time to discover for myself about the ways that a strong sense of place establishes everything else in a story. If you’re a writer, the things I’ve learned are sure to help you to compose your own more effective narratives no matter your subject or style—in fiction, non-fiction, memoir, or travel essay.

A strong sense of place anchors readers and draws them into the story. If you’re a reader, this class will give you a behind-the-scenes, personal glimpse at the ways my mysteries are crafted and assembled.

I hope you’ll join me.

Cara Black is the New York Times and USA Today bestselling author of nineteen books in the Private Investigator Aimée Leduc series, which is set in Paris. Cara has received multiple nominations for the Anthony and Macavity Awards, a Washington Post Book World Book of the Year citation, the Médaille de la Ville de Paris—the Paris City Medal, which is awarded in recognition of contribution to international culture—and invitations to be the Guest of Honor at conferences such as the Paris Polar Crime Festival and Left Coast Crime. With more than 400,000 books in print, the Aimée Leduc series has been translated into German, Norwegian, Japanese, French, Spanish, Italian, and Hebrew.

Simon Winchester - Five Things I've Learned About The Joy of Dictionaries (Online Class)

Saturday, April 17, 2021 - 1:00pm

Saturday, April 17th • Online

Live • 1:00-2:30pm PT• $40


Five Things I’ve Learned online classes connect you with creative leaders and thinkers eager to share the lessons of their own experience. Classes take place live, online, with an on-demand video archive so that you can easily view again whenever and wherever you like.


Discover the five things I’ve learned about the history, art, and heart of dictionary-making.

I have been passionate about dictionaries all my life. That passion was profoundly deepened when I discovered the story of the Oxford English Dictionary and the unlikely collaborators who created it, a tale I first told in The Professor and the Madman and then expanded upon in The Meaning of Everything.

In this class, I want to share some of the most intriguing, illuminating, and joy-inducing things I’ve learned about dictionaries. Among the questions I’ll address are: What was the first dictionary and how was it created? Who decides what gets included in a dictionary? How are words added and dropped? What’s the most surprising thing I’ve learned about dictionaries? What role have dictionaries played in the dissemination and evolution of culture? What is the oddest word in the English language? What is the most commonly misused word? What’s my favorite word in English?

I’ll be joined for part of this journey by a longtime friend and fellow logophile, the writer and editor Don George, who will be asking me some of the questions that you submit in advance of the class.

I warmly welcome your questions, and very much encourage you to send in any queries you may have, in advance of the class.

Dictionaries have provided me with a lifetime of amusement and edification. I look forward to sharing my passion and my discoveries with you!

Simon Winchester is the acclaimed author of numerous New York Times best-selling books, including The Professor and the Madman, The Perfectionists, The Men Who United the States, and The Map that Changed the World. His most recent book is Land: How the Hunger for Ownership Shaped the Modern World. In a career spanning five decades, Simon has been a geologist, a journalist, and a correspondent based in Northern Ireland, the United States, India, Hong Kong, and New York. He was awarded an Order of the British Empire (OBE) for his services to journalism and literature. He lives in Massachusetts and New York City.

 

Online Class: Art History with Kerrin Meis - Matisse and Picasso: Masters of Modernism

Saturday, May 8, 2021 - 1:00pm to 3:00pm


Two Saturdays: May 8th and 15th, 2021

Hosted via Zoom • Live • 1:00-3:00pm PT • $85


Often seen as opposing influences in a new direction for art in the Western World, these two artists, both rebels, used highly disparate but equally important means to forge a new way of seeing and representing their worlds.  Matisse, a serene Frenchman, happily married, and Picasso, a flamboyant Spaniard and womanizer, need to be studied side by side and with attention to their childhoods, their early works, their early collectors, their dealers, their critics, and their legacy. We will study their contemporaries as well and note how their experiments with Fauvism (Matisse) and Cubism (Picasso) spawned developments in France, Italy, Germany, Russia, and the USA. Of special interest are their late works involving not painting but in the case of Picasso, creating pottery vessels and in the case of Matisse, cutting up pieces of colored paper! We will meet collectors like the Steins of San Francisco, Shchukin in Russia, dealers Ambrose Vollard and Daniel Kahnweiler, and some obstreperous Americans.

Kerrin Meis taught art history at SFSU for ten years and has led study tours in Europe. Her Book Passage classes have been favorites for years.

 

Online Class: Don George - Write Your Best Travel Story

Tuesday, May 11, 2021 - 4:00pm to 7:00pm

Seven Tuesdays: May 11th - June 22nd, 2021

Hosted via Zoom • 4:00-7:00pm PT • $575

Class limited to nine attendees

 

This class is patterned on a graduate school creative writing workshop, with emphasis on the craft of writing a publishable travel story. In this workshop, participants will conceive, pitch, and write an original travel piece of up to 2,500 words. This may be based on a recent close-to-home travel experience or on a memory of a past trip. In the workshop, we'll begin by closely reading, discussing, and critiquing examples of excellent travel writing. Then each participant will present their story idea for discussion and revision, and then write an original travel piece of up to 2,500 words. Each piece will be closely read and discussed in class. Subsequent classes will allow for revision, discussion, and further refinement of each piece. During the course of the workshop, in addition to individual critiques, we'll talk about the fine points of structure, pacing, and making your point. This highly successful class has led to numerous published stories in widely known venues such as the annual Best Travel Writing and Lonely Planet anthologies.

Don George is the author of The Way of Wanderlust: The Best Travel Writing of Don George and of Lonely Planet's Guide to Travel Writing and the editor of ten anthologies, including A Moveable Feast, The Kindness of Strangers, Better Than Fiction, and An Innocent Abroad. George is Editor at Large for National Geographic Traveler, where he writes feature articles and the monthly Trip Lit column. He is also Editor of BBC Travel's literary travel column, Chance Encounters.
 

What students are saying about Don George:

“Don George's travel writing workshop was a rigorous, profound, magical experience, the product of a uniquely nurturing environment. Taking his courses has encouraged me to write without fear of failure, and with greater confidence and creativity than ever before. Any writer—whether officially a travel writer, or any other writer considering issues of place—should jump at the chance to work with him."
—Diane Vadino

"I have always wanted to take a writing workshop from Don George, but was never able to because I did not live in the Bay Area. When he offered his workshop virtually this year, I jumped at the chance and could not be happier with the experience. It motivated me to work on a piece and the feedback I received from the other attendees enabled me to take an "okay" piece I had written and turn it into a piece I'm really proud of by the end of the workshop. I ended up going in a different direction than intended, but it ended up being the right direction I could not see by myself. I would have not been able to get my writing to where it needed to be without Don and the workshop participants. I would sign up for another virtual workshop with Don George in a heartbeat.”
—Lisa Boice

 

Online Class: John J. Geoghegan - How to Get Your Book Published

Sunday, May 16, 2021 - 11:00am to 2:00pm


Sunday, May 16th, 2021

Hosted via Zoom • 11:00am-2:00pm PT • $75


 

How to Get Your Book Published is designed to help writers improve their chance of getting their memoir, novel, or non-fiction book considered for publication by a reputable literary agent or publisher. The three hour course will cover:

  • How to identify the right literary agent, editor, or publisher for your project
  • What publishers, editors, and literary agents look for in a submission
  • Which genres offer the best prospect for getting published
  • Understanding the economics of publishing, being a literary agent, or author
  • How to write a query letter
  • How to write a non-fiction book proposal
  • How to format your manuscript
  • What a standard industry book contract looks like
  • 5 rookie mistakes first timers make
  • And much more

John J. Geoghegan began his career at Doubleday Publishers in New York City. In addition to serving as a Special Correspondent for the New York Times, he has worked as an editor and writer in both the magazine  and newspaper industries. John has written more than 100 articles for the New York Times Science section, The Wall Street JournalThe San Francisco Chronicle, WIRED, Smithsonian Air & Space, and American History magazine and other publications. He is also the author of, Operation Storm: Japan’s Top Secret Submarines and Its Plan to Change the Course of World War II (Crown, 2013), which The Wall Street Journal called, “a fascinating, meticulously researched and deft account,” and, Hear Today, Gone Tomorrow: A True Story of Love, Hearing Loss, Heartbreak and Redemption (New Haven Publishing, 2018), which Book Authority ranked No. 1 on its list of the 38 best books about hearing loss. Additionally, John shepherded into production, co-wrote, and served as technical consultant on Japanese SuperSub, a one-hour documentary for PBS television that the New York Times called, “consistently fascinating history.” His third, non-fiction book, When Giants Ruled the Sky, is under contract to The History Press and due in bookstores 2021.

 

What students are saying about John J. Geoghegan:

"As a writer, I’ve benefited from John’s wisdom through four books. A master at understanding how to meet reader expectations, John zeroes in on a writer’s intention, applauds what's going right, and nails that unnecessary bit of exposition or missed opportunity to drive the story forward."
—K. M., author of eight commercially published novels

 

Online Class: Julia McNeal - Three Ways In to Evocative, Authentic Presence and Branding for Authors and Entrepreneurs

Saturday, May 22, 2021 - 1:30pm to 3:30pm



Saturday, May 22, 1:30-3:30pm PT

Hosted via Zoom • Live • $75 • Class limited to 24
 

 

Authenticity is a word that gets over-used these days, but what it refers to—credible, trustworthy expression of the essence of a thing or being—is essential to the kind of self-promotion that feels easeful and aligned. That easeful alignment relaxes you, clarifies who you are, and connects you intimately with your audience.

Every business, every book, every writer, event or online page, has an essential authenticity — a Character all its own. When you apply Julia McNeal’s acclaimed Five Ways In to Character technique to your book, your business, or your online presence, you’ll bring that character into clear and vibrant focus.

In this two-hour workshop, you’ll learn how to apply three of the Five Ways In for greatest effect in bringing your work, yourself and your brand to the marketplace. You’ll come away with practical tools you can use whenever you are promoting your work. You’ll get access to language and a tone that is intimately congruent with and evocative of who you are and what you are creating — in alignment with your most authentic intention and purpose.

Format of classes: Presentation, short interactive exercises, question/answer.

Julia McNeal’s Five Ways In to Character technique is a unique, 5-part approach for creating characters on the page and in performance. Synthesized by professional actor and coach, Julia McNeal, and honed over the last 15 years, this technique has never failed to deepen, clarify, and improve the character creation of all who apply it.

What Students Are Saying about Julia McNeal

“Julia’s Ways In is a brilliant and original set of techniques for exploring and deepening characters which go way beyond what writers usually learn and practice. A wonderful opportunity to learn from an accomplished actress how to
access the often elusive essence of characters and what makes them tick. Julia is a passionate and stimulating teacher and her classes crack open new insights and perspectives for writers committed to creating characters that are fully alive.”

"Julia's techniques help keep me excited about my writing projects rather than overwhelmed. Her classes offer a useful conceptual framework, actionable practices, and compassionate support."

Online Class: Julia McNeal - Five Ways In to Character: A Three-Class Series (Way One)

Saturday, September 11, 2021 - 1:30pm to 3:30pm



Way One (Sat., Sep. 11, 1:30-3:30pm PT • $60)

Ways Two & Three (Sat., Sep. 18, 1:30-4:00pm PT • $75)

Ways Four & Five (Sat., Sep. 25, 1:30-4:00pm PT • $75)

Sign up for each class individually, or take all three and get a full-series discount

Online • Live • $180 for the series • Classes limited to 16
 

 

 

Five Ways In to Character is a unique, five-part technique for creating characters on the page and in performance. Synthesized by Julia McNeal, and honed over the last 15 years, this technique has never failed to deepen, clarify, and improve the character creation of all who apply it.

Following the great success of these online classes last year, Julia brings the entire series back to Book Passage this fall.

1. Way One of the Five Ways In to Character

The first of the Five Ways, “Way One” introduces the first of the “Outside-In” approaches of the technique. It’s the most fun to use and easiest to apply, with clear and immediate results. Even as it focuses on externally visible character details, by using this approach, deeper motivations and priorities are revealed, while characters come into individuated clarity.

Bring to class: A line or two in the voice of—or a short description of—two or three characters you are creating/writing about — fictional or real.

2) Ways Two and Three of the Five Ways In to Character

Way Two completes the “Outside-In” work of the technique — focusing on gender; and Way Three is the deep core of the technique: the Inside-Out work that opens the door to any character’s truest being and unique nature.

Bring to class: A notebook and pen (rather than a device) to write with, and a short paragraph (1 – 5 sentences) that describes—or is in the voice of—a character you are working on or thinking about.

3) Ways Four and Five of the Five Ways In to Character

Ways Four and Five are both Inside-Out work (starting with the inner world of a character, and discovering how that manifests outwardly). Way Four gives you Julia’s Artist’s/Writer’s Authentic Self meditation (totally valuable on its own, with or without characters to write!), and shows you how to apply it to creating distinct characters. Way Five is the simplest Inside-Out piece of the technique—almost a no-brainer—and always worth applying last.

Bring to class: A notebook and pen (rather than a device) to write with, and a short paragraph (1 – 5 sentences) that describes—or is in the voice of—a character you are working on or thinking about (they can even be You.)

In each class, you will learn practical tools to apply every time you want to get clear, compelling, recognizable and specific characters on the page. If you need something to shake up your writing routine, invite deeper truth, energy, and new ways of seeing the character(s) you are writing (even if that character is You), come play and learn on three Saturdays: September 11th , 18th and 25th. You’ll come away with a whole new way of looking at characters, and a concrete method of approach you can use, going forward.

Format of classes: Presentation, short interactive exercises, short writing time, question/answer. Class size limited to 16 students.

NOTE: Classes will be held on ZOOM and will not be recorded. Greatest effectiveness depends on working in person, in community (this is showing up for your Writing Time). Also, not recording protects individual and artistic privacy. Julia’s Five Ways In to Character book and videos are being created as we speak, and she hopes to have them available at the time of this Series.

©2021 Julia McNeal julia@juliamcnealarts.com

What Students Are Saying about Julia McNeal

“Julia’s Ways In is a brilliant and original set of techniques for exploring and deepening characters which go way beyond what writers usually learn and practice. A wonderful opportunity to learn from an accomplished actress how to
access the often elusive essence of characters and what makes them tick. Julia is a passionate and stimulating teacher and her classes crack open new insights and perspectives for writers committed to creating characters that are fully alive.”

"Julia's techniques help keep me excited about my writing projects rather than overwhelmed. Her classes offer a useful conceptual framework, actionable practices, and compassionate support."

“Thank you Julia. This was exactly what I needed to reconnect with my writing project after losing focus amid this whole pandemic situation.”

Online Class: Julia McNeal - Five Ways In to Character: A Three-Class Series (Ways Two and Three)

Saturday, September 18, 2021 - 1:30pm to 4:00pm



Way One (Sat., Sep. 11, 1:30-3:30pm PT • $60)

Ways Two & Three (Sat., Sep. 18, 1:30-4:00pm PT • $75)

Ways Four & Five (Sat., Sep. 25, 1:30-4:00pm PT • $75)

Sign up for each class individually, or take all three and get a full-series discount

Online • Live • $180 for the series • Classes limited to 16
 

 

 

Five Ways In to Character is a unique, five-part technique for creating characters on the page and in performance. Synthesized by Julia McNeal, and honed over the last 15 years, this technique has never failed to deepen, clarify, and improve the character creation of all who apply it.

Following the great success of these online classes last year, Julia brings the entire series back to Book Passage this fall.

1. Way One of the Five Ways In to Character

The first of the Five Ways, “Way One” introduces the first of the “Outside-In” approaches of the technique. It’s the most fun to use and easiest to apply, with clear and immediate results. Even as it focuses on externally visible character details, by using this approach, deeper motivations and priorities are revealed, while characters come into individuated clarity.

Bring to class: A line or two in the voice of—or a short description of—two or three characters you are creating/writing about — fictional or real.

2) Ways Two and Three of the Five Ways In to Character

Way Two completes the “Outside-In” work of the technique — focusing on gender; and Way Three is the deep core of the technique: the Inside-Out work that opens the door to any character’s truest being and unique nature.

Bring to class: A notebook and pen (rather than a device) to write with, and a short paragraph (1 – 5 sentences) that describes—or is in the voice of—a character you are working on or thinking about.

3) Ways Four and Five of the Five Ways In to Character

Ways Four and Five are both Inside-Out work (starting with the inner world of a character, and discovering how that manifests outwardly). Way Four gives you Julia’s Artist’s/Writer’s Authentic Self meditation (totally valuable on its own, with or without characters to write!), and shows you how to apply it to creating distinct characters. Way Five is the simplest Inside-Out piece of the technique—almost a no-brainer—and always worth applying last.

Bring to class: A notebook and pen (rather than a device) to write with, and a short paragraph (1 – 5 sentences) that describes—or is in the voice of—a character you are working on or thinking about (they can even be You.)

In each class, you will learn practical tools to apply every time you want to get clear, compelling, recognizable and specific characters on the page. If you need something to shake up your writing routine, invite deeper truth, energy, and new ways of seeing the character(s) you are writing (even if that character is You), come play and learn on three Saturdays: September 11th , 18th and 25th. You’ll come away with a whole new way of looking at characters, and a concrete method of approach you can use, going forward.

Format of classes: Presentation, short interactive exercises, short writing time, question/answer. Class size limited to 16 students.

NOTE: Classes will be held on ZOOM and will not be recorded. Greatest effectiveness depends on working in person, in community (this is showing up for your Writing Time). Also, not recording protects individual and artistic privacy. Julia’s Five Ways In to Character book and videos are being created as we speak, and she hopes to have them available at the time of this Series.

©2021 Julia McNeal julia@juliamcnealarts.com

What Students Are Saying about Julia McNeal

“Julia’s Ways In is a brilliant and original set of techniques for exploring and deepening characters which go way beyond what writers usually learn and practice. A wonderful opportunity to learn from an accomplished actress how to
access the often elusive essence of characters and what makes them tick. Julia is a passionate and stimulating teacher and her classes crack open new insights and perspectives for writers committed to creating characters that are fully alive.”

"Julia's techniques help keep me excited about my writing projects rather than overwhelmed. Her classes offer a useful conceptual framework, actionable practices, and compassionate support."

“Thank you Julia. This was exactly what I needed to reconnect with my writing project after losing focus amid this whole pandemic situation.”

Online Class: Julia McNeal - Five Ways In to Character: A Three-Class Series (Ways Four and Five)

Saturday, September 25, 2021 - 1:30pm to 4:00pm



Way One (Sat., Sep. 11, 1:30-3:30pm PT • $60)

Ways Two & Three (Sat., Sep. 18, 1:30-4:00pm PT • $75)

Ways Four & Five (Sat., Sep. 25, 1:30-4:00pm PT • $75)

Sign up for each class individually, or take all three and get a full-series discount

Online • Live • $180 for the series • Classes limited to 16
 

 

 

Five Ways In to Character is a unique, five-part technique for creating characters on the page and in performance. Synthesized by Julia McNeal, and honed over the last 15 years, this technique has never failed to deepen, clarify, and improve the character creation of all who apply it.

Following the great success of these online classes last year, Julia brings the entire series back to Book Passage this fall.

1. Way One of the Five Ways In to Character

The first of the Five Ways, “Way One” introduces the first of the “Outside-In” approaches of the technique. It’s the most fun to use and easiest to apply, with clear and immediate results. Even as it focuses on externally visible character details, by using this approach, deeper motivations and priorities are revealed, while characters come into individuated clarity.

Bring to class: A line or two in the voice of—or a short description of—two or three characters you are creating/writing about — fictional or real.

2) Ways Two and Three of the Five Ways In to Character

Way Two completes the “Outside-In” work of the technique — focusing on gender; and Way Three is the deep core of the technique: the Inside-Out work that opens the door to any character’s truest being and unique nature.

Bring to class: A notebook and pen (rather than a device) to write with, and a short paragraph (1 – 5 sentences) that describes—or is in the voice of—a character you are working on or thinking about.

3) Ways Four and Five of the Five Ways In to Character

Ways Four and Five are both Inside-Out work (starting with the inner world of a character, and discovering how that manifests outwardly). Way Four gives you Julia’s Artist’s/Writer’s Authentic Self meditation (totally valuable on its own, with or without characters to write!), and shows you how to apply it to creating distinct characters. Way Five is the simplest Inside-Out piece of the technique—almost a no-brainer—and always worth applying last.

Bring to class: A notebook and pen (rather than a device) to write with, and a short paragraph (1 – 5 sentences) that describes—or is in the voice of—a character you are working on or thinking about (they can even be You.)

In each class, you will learn practical tools to apply every time you want to get clear, compelling, recognizable and specific characters on the page. If you need something to shake up your writing routine, invite deeper truth, energy, and new ways of seeing the character(s) you are writing (even if that character is You), come play and learn on three Saturdays: September 11th , 18th and 25th. You’ll come away with a whole new way of looking at characters, and a concrete method of approach you can use, going forward.

Format of classes: Presentation, short interactive exercises, short writing time, question/answer. Class size limited to 16 students.

NOTE: Classes will be held on ZOOM and will not be recorded. Greatest effectiveness depends on working in person, in community (this is showing up for your Writing Time). Also, not recording protects individual and artistic privacy. Julia’s Five Ways In to Character book and videos are being created as we speak, and she hopes to have them available at the time of this Series.

©2021 Julia McNeal julia@juliamcnealarts.com

What Students Are Saying about Julia McNeal

“Julia’s Ways In is a brilliant and original set of techniques for exploring and deepening characters which go way beyond what writers usually learn and practice. A wonderful opportunity to learn from an accomplished actress how to
access the often elusive essence of characters and what makes them tick. Julia is a passionate and stimulating teacher and her classes crack open new insights and perspectives for writers committed to creating characters that are fully alive.”

"Julia's techniques help keep me excited about my writing projects rather than overwhelmed. Her classes offer a useful conceptual framework, actionable practices, and compassionate support."

“Thank you Julia. This was exactly what I needed to reconnect with my writing project after losing focus amid this whole pandemic situation.”