A group of almost-over-the-hill urban Egyptian hipsters gathers every night on a Cairo houseboat where they smoke weed, gab on their cell phones, and rag on everything they think is messing up their lives. Led by their master of ceremonies, a near catatonic petty bureaucrat named Anis, they get baked and try to forget that secularists like them are being shunted to the sidelines in the wave of alleged "fundamentalist" Islamic politics sweeping Egypt and much of the Arab world.When Samara, a young Islamic journalist joins the group, however, Anis's spell is broken. From the moment he sees this hijab-clad woman, he starts to remember the ugly journey that brought him to his almost total detachment from the harsh realities of the outside world. Threatened by this incursion into their long-established sanctuary, his buddies try to drive Samara away. But Anis resists. He has fallen in love. Unfortunately for him, however, this seemingly devout journalist also has a couple of secrets of her own. While Adrift begins as a stoners' drawing-room comedy, it ends in random, chaotic tragedy--by the end of the play the Nile River houseboat feels like it's been transplanted to flood-ravaged New Orleans. It is a play about the tragedy of the innocents caught between the Holy Wars of our twenty-first century. Inspired by the novel Adrift on the Nile by Egyptian Nobel laureate Naguib Mahfouz, Adrift is set against the backdrop of the US war on Iraq and a region burdened by the gorgon-head legacies of colonialism, corruption and violent dictatorship. It is about a group of people at the epicentre of conflict between the West's ever-accelerating and utterly ahistorical imperial culture, and its doppelg nger: the tide of religious fundamentalism that is growing ever more powerful in its wake. Cast of 4 women and 6 men.
About the Author
Many of Marcus Youssef's plays were written or created with friends and colleagues. They include Winners and Losers, Leftovers, Jabber, How Has My Love Affected You?, Ali and Ali and the aXes of Evil, Adrift, Peter Panties, and A Line in the Sand. These have been performed across North America, Australia, and Europe, and recently off-Broadway. Marcus's plays are also translated into multiple languages and published by Talonbooks and Playwrights Canada Press.Major awards include Alcan Performing Arts, Chalmer's Canadian Play, Arts Club Silver Commission, Seattle Times Footlight, Vancouver Critics' Choice Innovation, and numerous local awards in Toronto, Vancouver, and Montreal. Marcus is the winner of the 2017 Victor Martyn Lynch-Staunton Award for writing - the award is given for outstanding artistic achievement by a Canadian mid-career artist.Well-known in Vancouver as a cultural advocate, Marcus is artistic director of Neworld Theatre, co-founder of Progress Lab 1422, and chair of the city of Vancouver's Arts and Culture Policy Council.
a minor miracle not merely of adaptation but of historical translation too. Adrift highlights the way we suffer the same losses over and over again, raining revenge on revenge. Our struggle, in essence, never changes.”
Globe and Mail