Description

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Poems that tell stories on many different levels: through sound, visual images, political insights, non-narrative fusion and linguistic music.

accepting th radiant dances uv being

4 kleerances uv ko dependenseez n help

th selvs being plural storeez sound

vizual politikul non narrativ fuseyn

linguisteek mewsik letting go uv th

rashyunalizasyuns irrashyunalizaysyuns

blaming games they made me putting th

focus on wuns selvs irridescent tinkshurs

simultaneous shiftings th langwages 4

aims chill n th needs 4 health edukay

syun sochul programs n civil human rites

guaranteez 2 lift us n loving th reelee

nameless being within each diffrent n

same prson th lines defining n dissolving

th jade n gold fevr on th edg reseed

in th disapeering air mixes n arous

th senses th prfume hints n th tall

buildings tottr seegulls encirculing

th see fadid turquois wood frame hous

sew stung by salt spray th soul rocks

loving th nameless isnesses within

each prson being

About the Author

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originalee from lunaria ovr 300 yeers ago in lunarian time sent by shuttul thru halifax nova scotia originalee wantid 2 b dansr n figur skatr became a poet n paintr in my longings after 12 operaysyuns reelee preventid me from following th inishul direksyuns-- bill bissettbill bissett garnered international attention in the 1960s as a pre-eminent figure of the counter-culture movement in Canada and the U.K. In 1964, he founded blewointment press, which published the works of bpNichol and Steve McCaffery, among others.bissett's charged readings, which never fail to amaze his audiences, incorporate sound poetry, chanting and singing, the verve of which is only matched by his prolific writing career--over seventy books of bissett's poetry have been published.A pioneer of sound, visual and performance poetry--eschewing the artificial hierarchies of meaning and the privileging of things ("proper" nouns) over actions imposed on language by capital letters; the metric limitations imposed on the possibilities of expression by punctuation; and the illusion of formal transparency imposed on the written word by standard (rather than phonetic) spelling--bissett composes his poems as scripts for pure performance and has consistently worked to extend the boundaries of language and visual image, honing a synthesis of the two in the medium of concrete poetry. Among bissett's many awards are: The George Woodcock Lifetime Achievement Award (2007); BC Book Prizes Dorothy Livesay Prize (2003) peter among th towring boxes / text bites; BC Book Prizes Dorothy Livesay Prize (1993) inkorrect thots.

Praise For…

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"Anybody who’s never heard [bissett] really ought to, because you’ll never think of poetry the same way after you hear him."
Citylife