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No one is more skilled at writing a police procedural than Michael Connelly. In Dark Sacred Night, we once again meet Renee Ballard, a smart, tough cop whose career veered off course when she resisted sexual harassment at work. Renee may be unappreciated by her superiors, but that doesn’t stifle her drive to find the answers wherever they may lead. Her path crosses Connelly’s most famous detective, Harry Bosch, who is looking into a cold case of a murdered girl. Renee finds herself drawn into the investigation. As the layers of the mystery are unearthed, the trust between the two detectives grows. From the spot-on dialogue, to the surprising twists and turns, this is Michael Connelly at his best. —Luisa— From Elaine and Luisa's Picks: November - December 2018
Harry Bosch teams up with LAPD Detective Renée Ballard to face the unsolved murder of a runaway, and the fight to bring a killer to justice.
Detective Renée Ballard is working the night beat -- known in LAPD slang as "the late show" -- and returns to Hollywood Station in the early hours to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin.
Ballard can't let him go through department records, but when he leaves, she looks into the case herself and feels a deep tug of empathy and anger. She has never been the kind of cop who leaves the job behind at the end of her shift -- and she wants in.
The murder, unsolved, was of fifteen-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally killed, her body left in a dumpster like so much trash. Now Ballard joins forces with Bosch to find out what happened to Daisy, and to finally bring her killer to justice. Along the way, the two detectives forge a fragile trust, but this new partnership is put to the test when the case takes an unexpected and dangerous turn.
Dark Sacred Night for the first time brings together these two powerhouse detectives in a riveting story that unfolds with furious momentum. And it shows once more why "there's no doubt Connelly is a master of crime fiction" (Associated Press).
About the Author
Michael Connelly is the author of thirty-one previous novels, including #1 New York Times bestsellers Two Kinds of Truth, The Late Show, and The Wrong Side of Goodbye. His books, which include the Harry Bosch series and the Lincoln Lawyer series, have sold more than seventy-four million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels and is the executive producer of Bosch, starring Titus Welliver. He spends his time in California and Florida.
"Dark Sacred Night is one of the best and most affecting Bosch novels since Mr. Connelly began the saga in 1992, underscoring the growing and unsettling ambiguity surrounding its central character."—Tom Nolan, Wall Street Journal
"Spectacular...Dark Sacred Night is ingenious, frantically suspenseful, and very, very, bleak."—Maureen Corrigan, Washington Post
"Michael Connelly is superhuman...His hallmark has been his precise, faultless plotting...Connelly has always been especially good when it comes to truly creepy killers-he was once a crime reporter-and his denouement here is thrilling."—Charles Finch, USA Today
"It was only last year that Connelly introduced Ballard, a fierce and fascinating new protagonist who instantly emerged as a reader favorite. Bosch, meanwhile, is a grizzled veteran by now; Dark Sacred Night marks the 21st novel to center on him. But fans always finish eager to come back for more."—David Canfield, Entertainment Weekly
"LAPD Det. Renée Ballard, first seen in 2017's The Late Show, makes a welcome return in this outstanding, complex police procedural...Bosch and Ballard, both outsiders with complicated pasts, form a perfect partnership in this high spot of Edgar-winner Connelly's long and distinguished career."—Publishers Weekly (starred review)
"Det. Renée Ballard is a formidable character, an insightful and tenacious investigator with an unusual background and a sturdy personality to carry a series...Connelly has achieved success as one of the top mystery writers by continuing to keep his storytelling fresh. In The Late Show, he delivers an exciting police procedural with a unique character."—Oline Cogdill, South Florida Sun-Sentinel
"Michael Connelly has earned his place in the pantheon of great crime fiction writers by creating characters people care about and are eager to come back to. In Dark Sacred Night, he brings together two of his best...Here's hoping we don't have to wait long for another Ballard and Bosch novel."—Paul Saltzman, Chicago Sun-Times
"This one needs no introduction...Expect all the dark, brooding LA neo-noir you've come to appreciate from Connelly's superlative procedurals."—CrimeReads
"Superb...Once again, Connelly delivers an exciting police procedural, only this time with two unique characters."—Oline Cogdill, South Florida Sun-Sentinel
"Harry Bosch has had plenty of partners, but he might have met his match...Both face complicated challenges to their personal ethics, challenges born not out of greed or fear but of their burning desire to make things right. Through it all, they challenge each other. Ballard brings a fresh perspective, and Bosch brings all the things so many readers love about him."—Colette Bancroft, Tampa Bay Times
"Of the myriad things Connelly does superbly as a crime writer, perhaps one of the least heralded is his ability to bring characters together from different series...A guaranteed chart-topper."—Bill Ott, Booklist (starred review)
PRAISE FOR THE LATE SHOW:
"The Late Show introduces a terrific female character: Detective Renée Ballard... The pacing of Ballard's debut story is breathless... Ballard is complicated and driven enough to sustain the series Connelly doubtless has in mind for her."—Janet Maslin, New York Times
"Few writers can capture the gritty streets of L.A.--and the inner workings of the LAPD--like Connelly."—Entertainment Weekly
"The most intriguing mystery in The Late Show is Ballard herself. Connelly is too skillful to hand us her resume in one document dump; instead, he fills out her portrait with a subtle hand over the course of the novel, a little background here, a glimpse of her temperament there, the revelation of her unusual living conditions sketched in between."—Colette Bancroft, Tampa Bay Times