A richly imagined and stunningly inventive literary masterpiece of love, art, and betrayal, set in Paris from the late 1920s into the dark years of World War II, that explores the genesis of evil, the unforeseen consequences of love, and the ultimate unreliability of storytelling itself
Emerging from the austerity and deprivation of the Great War, Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club’s loyal patrons, including rising Hungarian photographer Gabor Tsenyi, socialite and art patron Baroness Lily de Rossignol; and caustic American writer Lionel Maine.
As the years pass, their fortunes—and the world itself—evolve. Lou falls desperately in love and finds success as a racecar driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant 20s give way to the Depression of the 30s, Lou experiences another metamorphosis—sparked by tumultuous events—that will warp her earnest desire for love and approval into something far more sinister: collaboration with the Nazis.
Told in a kaleidoscope of voices that circle around the dark star of Lou Villars, Lovers at the Chameleon Club, Paris 1932 ($26.99) evokes this incandescent city with brio, humor, and intimacy. Exploring a turbulent time defined by terror, bravery, and difficult moral choices, it raises critical questions about truth and memory and the nature of storytelling itself. A brilliant work of fiction and a mesmerizing read, it is Francine Prose’s finest novel yet.
Francine Prose is the author of twenty works of fiction. Her novel A Changed Man won the Dayton Literary Peace Prize, and Blue Angel was a finalist for the National Book Award. Her most recent works of nonfiction include the highly acclaimed Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer. The recipient of numerous grants and honors, including a Guggenheim and a Fulbright, a Director's Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Center, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences.