The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes.
A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him. He is the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and he is the lonely ex-husband of three very different women with whom he's made a mess of marriage. In the end he is a man who has become what he does not want to be.
The terrain of this powerful novel -- Roth's twenty-seventh book and the fifth to be published in the twenty-first century -- is the human body. Its subject is the common experience that terrifies us all.
Everyman takes its title from an anonymous fifteenth-century allegorical play, a classic of early English drama, whose theme is the summoning of the living to death.
About the Author
In 1997 PHILIP ROTH won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in fiction, previously awarded to John Dos Passos, William Faulkner, and Saul Bellow, among others. He has twice won the National Book Award and the National Book Critics Circle Award. He has won the PEN/Faulkner Award three times. He has also won American PEN’s two highest awards: the PEN/Nabokov and PEN/Bellow awards. He is the only living American novelist to have his work published in a comprehensive, definitive edition by the Library of America.
Praise for Everyman…
"A rich exploration of the epiphany that awaits us all - that 'life's most disturbing intensity is death' " Kirkus Reviews, Starred
"Through it all, there's that Rothian voice: pained, angry, arrogant and deeply, wryly funny. Nothing escapes him." Publishers Weekly, Starred
"Let's use a noun I've never used before: masterpiece." Atlantic Monthly
"This brilliant little morality play on the ways that our bodies dictate the paths our lives take is vintage Roth" Library Journal Starred
"It's another triumph" CNN
"Same old terrain, same ever-astonishing mastery." Observer
"Let's not crank up the suspense. He's done it again" Newsweek
" Mr. Roth, our best literary stylist...does an impressive job on his chosen turf." The Wall Street Journal
"...elegant, profoundly brave work of art." O, The Oprah Magazine
"...an instance of Roth writing at the top of his bent and to maximum effect" The Chicago Tribune
"[Everyman] is a parable that captures, as few works of fiction have, the pathos of Being." The Washington Post