"I am indeed provoked at the artifice of this unprincipled woman."
This high-spirited tale, told through an exchange of letters, is unique in Jane Austen's small body of work. It is the story of Lady Susan, a brilliant, beautiful and morally reprehensible coquette who delights in making men fall in love with her, deceiving their wives into friendship and even tormenting her own daughter, cruelly bending her to her will.
Austen clearly delighted in her wicked heroine—tracing Lady Susan's maneuverings to remarry yet continue on with her lover, and to marry off her young daughter, with great wit, zest and unfailing panache.
This little-known gem, Austen's only epistolary work, is perhaps both her funniest and bitchiest book.
The Art of The Novella Series
Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
About the Author
One of England's most beloved authors, Jane Austen wrote such classic novels as Pride and Prejudice, Sense and Sensibility, Emma, and Northanger Abbey. Published anonymously during her life, Austen's work was renowned for its realism, humour, and commentary on English social rites and society at the time. Austen's writing was supported by her family, particularly by her brother, Henry, and sister, Cassandra, who is believed to have destroyed, at Austen's request, her personal correspondence after Austen's death in 1817. Austen's authorship was revealed by her nephew in A Memoir of Jane Austen, published in 1869, and the literary value of her work has since been recognized by scholars around the world.
"I wanted them all, even those I'd already read."
—Ron Rosenbaum, The New York Observer
—Time Out London
"[F]irst-rate…astutely selected and attractively packaged…indisputably great works."
—Adam Begley, The New York Observer
"I’ve always been haunted by Bartleby, the proto-slacker. But it’s the handsomely minimalist cover of the Melville House edition that gets me here, one of many in the small publisher’s fine 'Art of the Novella' series."
—The New Yorker
"The Art of the Novella series is sort of an anti-Kindle. What these singular, distinctive titles celebrate is book-ness. They're slim enough to be portable but showy enough to be conspicuously consumed—tiny little objects that demand to be loved for the commodities they are."
—KQED (NPR San Francisco)
"Some like it short, and if you're one of them, Melville House, an independent publisher based in Brooklyn, has a line of books for you... elegant-looking paperback editions ...a good read in a small package."
—The Wall Street Journal