This is the book that led to Hans Fallada's downfall with the Nazis. The story of a young couple struggling to survive the German economic collapse was a worldwide sensation and was made into an acclaimed Hollywood movie produced by Jews, leading Hitler to ban Fallada's work from being translated.
Nonetheless, it remains, as "The Times Literary Supplement "notes, "the novel of a time in which public and private merged even for those whowanted to stay at home and mind their own business."
This is a Hybrid Book.
Melville House HybridBooks combine print and digital media into an enhanced reading experience by including with each title additional curated material called Illuminations -- maps, photographs, illustrations, and further writing about the author and the book.
The Melville House Illuminations are free with the purchase of any title in the HybridBook series, no matter the format.
Purchasers of the print version can obtain the Illuminations for a given title simply by scanning the QR code found in the back of each book, or by following the url also given in the back of the print book, then downloading the Illumination in whatever format works best for you.
Purchasers of the digital version receive the appropriate Illuminations automatically as part of the ebook edition.
About the Author
Hans Fallada was an internationally bestselling German writer who, unlike his peers Mann and Brecht, remained in Germany after the Nazi take-over. After one of his books was made into a Hollywood movie with a Jewish producer, he was prevented from publishing abroad. At war's end he was incarcerated in an insane asylum, and died soon thereafter.
The authors, who have been involved with the Moray Society and the Elgin Museum for many years, have researched and published books and articles on various aspects of history, including the history of science, of nursing, and of the people and places in and around Moray.
Philip Brady is a professor of English at Youngstown State University, where he directs the Poetry Center and Etruscan Press. He is the author of three books of poetry, Weal (winner of Ashland Poetry Press's Snyder Prize); Forged Correspondences, (chosen for Ploughshares' Editors' Shelf by Maxine Kumin); and Fathom; and a memoir, To Prove My Blood: A Memoir of Emigrations & the Afterlife. He is the co-editor, with James F. Carens, of Critical Essays on James Joyce's A Portrait of the Artist as a Young Man. He plays in Brady's Leap, a New-Celtic band which has produced two CDs of original music.
“ Fallada deserves high praise for having reported so realistically, so truthfully, with such closeness to life.” –Herman Hesse
“ Superb.” –Graham Greene
"In a publishing hat trick, Melville House allows English-language readers to sample Fallada's vertiginous variety accompanying the release of Michael Hoffman's splendid translation of Every Man Dies Alone with the simultaneous publication of excellent English versions of Fallada's two best-known novels, Little Man, What Now? (translated by Susan Bennett) and The Drinker (translated by Charlotte and A.L. Lloyd). In his probing afterword to Little Man, What Now?, Philip Brady ponders the question of why the book isn't better-known today: "Enduring success is one thing, immediate impact is something different, and clearly the immediate impact of Fallada's novel was undeniable." Given our current economic circumstances, the book may have a second chance at impact and endurance."
- New York Times Book Review