Part autobiography, part fiction, this early work by the author of The Master and Margarita shows a master at the dawn of his craft, and a nation divided by centuries of unequal progress.
In 1916 a 25-year-old, newly qualified doctor named Mikhail Bulgakov was posted to the remote Russian countryside. He brought to his position a diploma and a complete lack of field experience. And the challenges he faced didn’t end there: he was assigned to cover a vast and sprawling territory that was as yet unvisited by modern conveniences such as the motor car, the telephone, and electric lights.
The stories in A Country Doctor’s Notebook are based on this two-year window in the life of the great modernist. Bulgakov candidly speaks of his own feelings of inadequacy, and warmly and wittily conjures episodes such as peasants applying medicine to their outer clothing rather than their skin, and finding himself charged with delivering a baby—having only read about the procedure in text books.
Not yet marked by the dark fantasy of his later writing, this early work features a realistic and wonderfully engaging narrative voice—the voice, indeed, of twentieth century Russia’s greatest writer.
About the Author
Mikhail Bulgakov (1891-1940) was born in Kiev, Ukraine, and lived most of his adult life in Stalinist Russia. A journalist, playwright, novelist, and short story writer, he is best known in the West for his novel "The Master and Margarita," Marian Schwartz is a prize-winning Russian translator who recently received her second Translation Fellowship from the National Endowment for the Arts to translate Olga Slavnikova's newest novel, "2017," She has translated classic literary works by Nina Berberova and Yuri Olesha, as well as Edvard Radzinsky's "The Last Tsar," She lives in Austin, TX.
Michael Glenny, who died in Moscow in August 1990, was Britain's foremost translator of modern Russian literature.
"These straightforward yet extraordinary sketches gain their strength from also being the account of a young man's growth. One begins to see that he became a novelist not because he had material but because he was storing up passion and temperament." -- V.S. Pritchett, New Statesman
“…they don’t read outdated, musty or strange today. Instead, they evoke archetypal situations we experience in contemporary medical storytelling.” —The Milwaukee Journal Sentinel
"Bulgakov casts a wonderfully wry, self-deprecating humour. His compassion for human folly is unfailing ... These stories stand testament both to human resilience and a remarkable literary talent." -- The Independent
"Stories as keen and bright as a scalpel ... Courage shines from every angle of this profoundly human collection by the greatest of modern Russian writers." -- Sunday Times