With the release of Roberto Bolano's "The Savage Detectives "in 1998, journalist Monica Maristain discovered a writer "capable of befriending his readers." After exchanging several letters with Bolano, Maristain formed a friendship of her own, culminating in an extensive interview with the novelist about truth and consequences, an interview that turned out to be Bolano's last.
Appearing for the first time in English, Bolano's final interview is accompanied by a collection of conversations with reporters stationed throughout Latin America, providing a rich context for the work of the writer who, according to essayist Marcela Valdes, is "a T.S. Eliot or Virginia Woolf of Latin American letters." As in all of Bolano's work, there is also wide-ranging discussion of the author's many literary influences. (Explanatory notes on authors and titles that may be unfamiliar to English-language readers are included here.)
The interviews, all of which were completed during the writing of the gigantic " 2666," also address Bolano's deepest personal concerns, from his domestic life and two young children to the realities of a fatal disease.
About the Author
Author of 2666 and many other acclaimed works, Roberto BolaNo (1953-2003) was born in Santiago, Chile, and later lived in Mexico, Paris, and Spain. He has been acclaimed "by far the most exciting writer to come from south of the Rio Grande in a long time" (Ilan Stavans, The Los Angeles Times)," and as "the real thing and the rarest" (Susan Sontag). Among his many prizes are the extremely prestigious Herralde de Novela Award and the Premio ROmulo Gallegos. He was widely considered to be the greatest Latin American writer of his generation. He wrote nine novels, two story collections, and five books of poetry, before dying in July 2003 at the age of 50.
“The real thing and the rarest.” –Susan Sontag
“By writing across the grain of his doubts about what literature can do, how much it can discover or dare pronounce the names of our world’s disasters, Bolaño has proven it can do anything, and for an instant, at least, given a name to the unnamable.”