The Entertainer: Movies, Magic, and My Father's Twentieth Century (Hardcover)
Using the life and career of her father, an early Hollywood actor, New Yorker writer Margaret Talbot tells the thrilling story of the rise of popular culture through a transfixing personal lens. The arc of Lyle Talbot’s career is in fact the story of American entertainment. Born in 1902, Lyle left his home in small-town Nebraska in 1918 to join a traveling carnival. From there he became a magician’s assistant, an actor in a traveling theater troupe, a romantic lead in early talkies, then an actor in major Warner Bros. pictures with stars such as Humphrey Bogart and Carole Lombard, then an actor in cult B movies, and finally a part of the advent of television, with regular roles on The Adventures of Ozzie and Harriet and Leave It to Beaver. Ultimately, his career spanned the entire trajectory of the industry.
In her captivating, impeccably researched narrative—a charmed combination of Hollywood history, social history, and family memoir—Margaret Talbot conjures warmth and nostalgia for those earlier eras of ’10s and ’20s small-town America, ’30s and ’40s Hollywood. She transports us to an alluring time, simpler but also exciting, and illustrates the changing face of her father’s America, all while telling the story of mass entertainment across the first half of the twentieth century.
About the Author
Margaret Talbot has been a staff writer for The New Yorker since 2003. Previously, she was a contributing writer at The New York Times Magazine and an editor at The New Republic. She lives in Washington, D.C.
Praise for The Entertainer: Movies, Magic, and My Father's Twentieth Century…
“Sharp and engaging . . . Talbot père comes across as a sort of Zelig-with-personality, a life-embracing man whose career spans, and illuminates, the first 60 years of the 20th century.”—The New York Times Book Review
"A well-researched and clear-eyed history of the early American entertainment industry told through the perspective of a Zelig-like figure who worked with everyone from Shirley Temple to Mae West to Ed Wood. Talbot fille draws from historical sources as well as her own recollection, and the result is less a walk down memory lane than a gateway to a bygone era."—Entertainment Weekly
“Margaret Talbot’s wry, wonderful new book . . . That Talbot is a writer gifted enough to evoke not just images but their attendant music through her words will come as no surprise to anyone who’s read her in The New Yorker or elsewhere. One of the things The Entertainer makes abundantly clear, though, is that she comes by her aesthetic sense naturally. . . . Talbot has woven a tale as romantic and vivid as any film could hope to be, while still seeing every bit of it plain. She is as clear-eyed about her father as she is about history—no easy feat. . . . [Lyle] never had even a starring role as dazzling as the one his youngest child, with history as her guide, has now written for him.”—Slate
"In The Entertainer: Movies, Magic and My Father's Twentieth Century, New Yorker staff writer Margaret Talbot succeeds at what Hollywood failed to do for her father: She makes him a star. . . . Talbot employs novelistic style in bringing this period to life . . . [and] vividly imagines her way into her father's world. . . . Lyle Talbot had one humdinger of a life story."—Los Angeles Times
"A tender but clear-eyed portrait . . . Like Lyle, this book is substantial but never heavy, with a sense of humor and an appreciation for the things that make life fun. While it may be true that Lyle Talbot 'led a resolutely unexamined life,' his daughter has written a story that gets to the heart of one of America’s luckier, happier sons."—Boston Globe
“Talbot, a staff writer for The New Yorker, has also accomplished something unusual. There are many books about actors written by their children. This may be the only one that's as much a century-spanning cultural history as a charming, affectionate tribute. . . . Talbot brings '30s Tinseltown to radiant life.”—Newsday
"Deliciously written . . . [a] gleaming tribute of a book."—More
"A frolicking, applause-worthy memoir."—Good Housekeeping
"New Yorker staff writer Talbot debuts with an affectionate biography of her father, stage, screen and TV actor Lyle Talbot. Mingling memoir and relevant social and cultural history, the author shows how her father’s career in many ways paralleled the changes in the 20th-century entertainment industry. . . . A thorough, lovingly researched paean to a father and a way of life."—Kirkus
“What a wonderful, loving, beautifully researched and touching story this is! Lyle Talbot lived a charmed life—a player's life—from the final days of vaudeville to the golden years of American television. Somehow through it all (the glamour, the hardship, the stardom, the rejection and the many transformations of modernity) he comported himself with a dignity that feels very much out of time to a contemporary reader. His daughter's tender yet clear-headed remembrance of him is a gift and a treasure—and a top-notch documentation of Hollywood history, besides.”—Elizabeth Gilbert, author of Eat Pray Love
“The real life of consummate entertainer Lyle Talbot turns out to be his most unforgettable role. He seems to have been part of every stage of the rise of the modern entertainment industry, yet perhaps his greatest fortune was to have his story so beautifully rendered by his daughter. Weaving together cultural history, biography, and delightful backstage accounts, Margaret Talbot has created a classic of narrative nonfiction—one that would have enthralled even the great man himself.”—David Grann, author of The Lost City of Z
“Some people are born storytellers. Some people are born with a story to tell. Margaret Talbot is both. The Entertainer is a gorgeously detailed and relentlessly inventive portrait of her father's adventures in 1930s Hollywood and on the home front.”—Karen Abbot, author of Sin in the Second City
“Had Margaret Talbot devoted her beguiling prose simply to retelling her father's golden stories of Broadway and Hollywood, The Entertainer would be wonderful. Instead she has entwined those stories with a superb history of what used to be called 'the show business,' and written a brilliant and important book that touches the core of our national experience.”—Sean Wilentz, author of Bob Dylan in America
"In this beautiful book—part memoir, part history—Margaret Talbot tells a family story of the American movie industry."—Deborah Blum, author of The Poisoner's Handbook