Winner of the Booker Prize.
India, 1857--the year of the Great Mutiny, when Muslim soldiers turned in bloody rebellion on their British overlords. This time of convulsion is the subject of J. G. Farrell's "The Siege of Krishnapur," widely considered one of the finest British novels of the last fifty years.
Farrell's story is set in an isolated Victorian outpost on the subcontinent. Rumors of strife filter in from afar, and yet the members of the colonial community remain confident of their military and, above all, moral superiority. But when they find themselves under actual siege, the true character of their dominion--at once brutal, blundering, and wistful--is soon revealed.
"The Siege of Krishnapur" is a companion to "Troubles," about the Easter 1916 rebellion in Ireland, and "The Singapore Grip," which takes place just before World War II, as the sun begins to set upon the British Empire. Together these three novels offer an unequaled picture of the follies of empire.
About the Author
Pankaj Mishra was born in northwest India in 1969 and lives in London and Mashobra, India. The author of "An End to Suffering "(FSG, 2004) and "Temptations of the West "(FSG, 2006), as well as a novel, "The Romantics, "he writes for "The New Yorker", "The New York Review of Books", "The New York Times Book Review", and "The Guardian".
"Suspense and subtlety, humour and horror, the near-neighbourliness of heroism and insanity: it is rare to find such divergent elements being controlled in one hand and being raced, as it were, in one yoke. But Farrell manages just this here: his imaginative insight and technical virtuosity combine to produce a novel of quite outstanding quality."
— The Times (London)
"The magnificient passages of action in The Siege of Krishnapur, its gallery of characters, its unashamedly detailed and fascinating dissertations on cholera, gunnery, phrenology, the prodigal inventiveness of its no doubt also well-documented scenes should satisfy the most exacting and voracious reader. For a novel to be witty is one thing, to tell a good story is another, to be serious is yet another, but to be all three is surely enough to make it a masterpiece."
— John Spurling, The New Statesman
"…a masterpiece as unclassifiable as Giuseppe Lampedusa’s novel The Leopard or Penelope Fitzgerald’s novel, The Blue Flower. A historical novel, a comedy of manners, an intellectual history, an evocation of scene: It is all of these. But it is the inimitable combination of these ingredients that gives the book its perculiar savor."
— Columbus Dispatch