In 1942, Executive Order 9066 mandated the incarceration of 110,000 Japanese Americans, including men, women, children, the elderly, and the infirm, for the duration of the war. Allowed only what they could carry, they were given just a few days to settle their affairs and report to assembly centers. Businesses were lost, personal property was stolen or vandalized, and lives were shattered. The Japanese word gaman means "enduring what seems unbearable with dignity and grace. "Imprisoned in remote camps surrounded by barbed wire and guarded by soldiers with machine guns, the internees sought courage and solace in art. Using found materials at first and later what they could order by catalog, they whittled and carved, painted and etched, stitched and crocheted. What they created is a celebration of the nobility of the human spirit under adversity. THE ART OF GAMAN presents more than 150 examples of art created by internees, along with a history of the camps.Reviews." . . demonstrates the poignancy of the internment experience and the strength of the human spirit."-Alaska Airlines Magazine.
About the Author
Delphine Hirasuna is the author of several nonfiction books, including "Long May She Wave," "The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps 1942-1946," "Presidio Gateways: Views of a National Landmark at San Francisco's Golden Gate," and "100 Baseball Icons," among others. In addition to guest curating "The Art of Gaman" exhibition, which was shown at the Smithsonian American Art Museum's Renwick Gallery in 2010, she also is the editor of @Issue: Journal of Business and Design. Delphine is a third-generation Californian.
Hinrichs is a principal in Pentagram Design, Inc, an international design consultancy. He graduated from the Art Center College of Deisgn, Los Angeles. His work is part of the permanent collection of the Museum of Modern Art in NY and San Francisco.