Renowned through four award-winning books for his gritty and revelatory visions of the Caribbean, Bob Shacochis returns to occupied Haiti in "The Woman Who Lost Her Soul" before sweeping across time and continents to unravel tangled knots of romance, espionage, and vengeance. In riveting prose, Shacochis builds a complex and disturbing story about the coming of age of America in a pre-9/11 world. Set over fifty years and in four countries backdropped by different wars, "The Woman Who Lost Her Soul" is National Book Award winner Bob Shacochis magnum opus that brings to life, through the mystique and allure of history, an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.
About the Author
Bob Shacochis's first collection of stories, Easy in the Islands, won the National Book Award for First Fiction, and his second collection, The Next New World, was awarded the Prix de Rome from the Academy of Arts and Letters. He is also the author of the novel Swimming in the Volcano, a finalist for the National Book Award, and The Immaculate Invasion, a work of literary reportage that was a finalist for the New Yorker Literary Award for Best Nonfiction Book of the Year. The Woman Who Lost Her Soul was a finalist for the 2014 Pulitzer Prize for Fiction. Shacochis is a contributing editor for Outside, and his op-eds on the U.S. military, Haiti, and Florida politics have appeared in the New York Times, Washington Post, and Wall Street Journal.
Robert Blumenfeld is the author of Accents: A Manual for Actors (1998; Revised and Expanded Edition, 2002); Acting with the Voice: The Art of Recording Books (2004); Tools and Techniques for Character Interpretation: A Handbook of Psychology for Actors, Writers, and Directors (2006); Using the Stanislavsky System: A Practical Guide to Character Creation and Period Styles (2008); Blumenfeld's Dictionary of Acting and Show Business (2009); Blumenfeld's Dictionary of Musical Theater: Opera, Operetta, Musical Comedy (2010); Stagecraft: Stanislavsky and External Acting Technique-A Companion to Using the Stanislavsky System (2011); Teach Yourself Accents: The British Isles (2013); Teach Yourself Accents: North America (2013); Teach Yourself Accents: Europe (2014); and the collaborator with noted teacher and acting coach Alice Spivak on the writing of her book How to Rehearse When There Is No Rehearsal: Acting and the Media (2007)-all published by Limelight Editions. He lives and works as an actor, dialect coach, and writer in New York City, and is a longtime member of Equity, and SAG-AFTRA. He has worked in regional and New York theaters, as well as in television and independent films. For ACT Seattle he played the title role in Harwood's The Dresser, and he has performed many roles in Shakespeare and Chekhov. In an Off-Broadway season of six Gilbert and Sullivan comic operas for Dorothy Raedler's American Savoyards (under the name Robert Fields), he played the Lord Chancellor and other patter-song roles. He created the roles of the Marquis of Queensberry and two prosecuting attorneys in Moises Kaufman's Off-Broadway hit play Gross Indecency: The Three Trials of Oscar Wilde, and was also the production's dialect coach, a job that he did as well for the Broadway musicals, Saturday Night Fever and The Scarlet Pimpernel. Mr. Blumenfeld currently records books for Audible. He has recorded more than 320 Talking Books for the American Foundation for the Blind, including a bilingual edition of Samuel Beckett's Waiting for Godot, in Beckett's original French and the playwright's own English translation. He received the 1997 Canadian National Institute for the Blind's Torgi Award for the Talking Book of the Year in the fiction category, and the 1999 Alexander Scourby Talking Book Narrator of the Year Award in the fiction category. He holds a BA in French from Rutgers University and an MA from Columbia University in French language and literature.