"The Cave Painters "is a vivid introduction to the spectacular cave paintings of France and Spain the individuals who rediscovered them, theories about their origins, their splendor and mystery.
Gergory Curtis makes us see the astonishing sophistication and power of the paintings and tells us what is known about their creators, the Cro-Magnon people of some 40,000 years ago. He takes us through various theories that the art was part of fertility or hunting rituals, or used for religious purposes, or was clan mythology examining the ways interpretations have changed over time. Rich in detail, personalities, and history, "The Cave Painters "is above all permeated with awe for those distant humans who developed perhaps for the first time both the ability for abstract thought and a profound and beautiful way to express it.
About the Author
Gregory Curtis is a poet, essayist, businessman and novelist. He is the Chairman and founder of Greycourt & Co., Inc., an open architecture wealth advisory firm serving substantial families and select endowments on a global basis. Prior to founding Greycourt, Greg served for many years as president of a family office for the Mellon family and as President of the Laurel Foundation. Greg holds a BA degree from Dartmouth College, cum laude with high distinction in English, a JD degree from Harvard Law School, cum laude, and he is a graduate of The Endowment Institute at Harvard Business School. He also holds an honorary BA degree from St. John's College. Greg has six children and lives in Pittsburgh with his wife, Simin, the founder and CEO of the American Middle East Institute.
"Fascinating. . . . We will be arguing about these glorious creations for many years to come." —The Washington Post Book World"The beauty of the cave art moves Curtis deeply, and his writing preserves that passionate response." —Seattle Times“Curtis is a good storyteller, and he has good stories to tell about eccentrics of all sorts.” —The Christian Science Monitor“A fascinating survey of the rival theories. . . . [Readers will be] swept up in the beauty of the cave paintings and the persuasive pull of his prose.” —Richmond Times-Dispatch