In a volume he describes as "a series of covert and not-so-covert autobiographical pieces," Jonathan Lethem explores the nature of cultural obsession—from western films and comic books, to the music of Pink Floyd and the New York City subway. Along the way, he shows how each of these "voyages out from himself" has led him to the source of his beginnings as a writer. The Disappointment Artist is a series of windows onto the collisions of art, landscape, and personal history that formed Lethem’s richly imaginative, searingly honest perspective on life. A touching, deeply perceptive portrait of a writer in the making.
About the Author
In 1940, when an automobile accident prematurely claimed Nathanael West's life, he was a relatively obscure writer, the author of only four short novels. West's reputation has grown considerably since then and he is now considered one of the 20th century's major authors. Born in New York, West worked as the night manager of the Kenmore Hotel on East 23rd Street in Manhattan, as a contract scriptwriter for Columbia Pictures in Hollywood, and as a screenwriter for RKO Radio Picture.
"Lethem is one of our most perceptive cultural critics, conversant in both the high and low realms, his insights buffeted by his descriptive imagination."
—Los Angeles Times Book Review
"He fearlessly analyzes his influences--movies, books, artists, friends, parents--and his insights are highly personal, but also often universal, and thus these essays reach the highest goal of the memoir form."
—The Seattle Times
"This is a gem of a book. . . . Heartbreaking. . . . Mesmerizing. . . . A form of smuggled autobiography. . . . With a few deft strokes, the reader is left with a vivid image of Lethem’s childhood." —The New York Observer
"Moving. . . . Absolutely fascinating. . . . Dense with allusion and insight." —St. Louis Post-Dispatch
“These marvelous explorations take us into the hiding places of the psyche, where second thoughts are assessed, secret-sharer sins confessed, and grief and loss redressed. In a collection as warmly engaging as it is ruminative, Jonathan Lethem shows himself to be as much a master of the personal essay as he is of contemporary fiction.”