From the internationally acclaimed author of The Marriage of Cadmus and Harmony comes one of the most significant books in recent years on a writer of perennial interest–a virtuoso interpretation of the work of Franz Kafka.
What are Kafka’s fictions about? Are they dreams? Allegories? Symbols? Countless answers have been offered, but the essential mystery remains intact. Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.
About the Author
Roberto Calasso is also the author of "The Forty-Nine Steps" and "Literature and the Gods." He lives in Milan and is the publisher of Adelphi.
Geoffrey Brock is the author of "Weighing Light" and the translator of numerous volumes from the Italian, including "Cesare Pavese's Disaffections: Complete Poems 1930-1950". His awards include fellowships from the National Endowment for the Arts, the Guggenheim Foundation, and the New York Public Library's Cullman Center. He teaches in the MFA Program in creative writing and translation at the University of Arkansas.
“For such a writer [as Kafka], Calasso is the ideal critic.” –The New Yorker
“No one could bring more intelligence and cultural range to a fresh encounter with Kafka [than] the erudite and sophisticated Calasso. . . . His prose is a marvel, and K. makes for an exhilarating adventure.” –Frederick Crews, The New York Review of Books
“Engaging. . . . As good an account of the strangeness of Kafka’s world and the reason for its bizarre coherence as anyone has offered.” –The New Republic
“Translucent and revelatory. . . . It’s a measure of Calasso’s accomplishment that his readings feel familiar, as though his erudition were inside us. . . . His tone, while epic, is also welcoming.” –The New York Times Book Review