Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practice by literature's greatest writers. In the ART OF THE NOVELLA series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
With an attention to the details of bourgeois life considered almost scandalous at the time, "A Simple Heart" will remind many why Gustave Flaubert was acclaimed as the first great master of realism. But this heart-breaking tale of a simple servant woman and her life-long search for love meant something else to Flaubert. Written near the end of his life, the work was meant to be a tribute to George Sand who died before it was finished and was written in answer to an argument the two were having over the importance of realism. Although the tale displays his virtuosic gift for telling detail, and is based on one of his actual servants, Flaubert said it exemplified his belief that "Beauty is the object of all my efforts." This sparkling new translation by Charlotte Mandell shows how impeccably Flaubert achieved his goal.
About the Author
Known for his scrupulous devotion to his art and perfectionist style, French writer Gustave Flaubert is counted among the greatest Western novelists, and influenced such writers as Franz Kafka and J. M. Coetzee. Flaubert is best known for Madame Bovary, for which he was prosecuted (and acquitted) for offending public morals. His other works of note include Memoirs of a Madman, November, Salammb?, Sentimental Education, and The Temptation of Saint Anthony. His work has been widely adapted for the stage and screen. Flaubert died in 1880.
CHARLOTTE MANDELL has translated over twenty books, including several books for Fordham: Peter Szendy's "Listen: A History of Our Ears" and Jean-Luc Nancy's "Listening". Her most recent translation is "The Kindly Ones" by Jonathan Littell.
—Time Out London
"I wanted them all, even those I'd already read."
—Ron Rosenbaum, The New York Observer