Botox, bulimia, breast implants: Eve Ensler, author of the international sensation "The Vagina Monologues," is back, this time to rock our view of what it means to have a "good body." "In the 1950s," Eve writes, girls were "pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don't eat too much. They . . . don't eat at all. They stay perfect. They stay thin. I could never be good."
The Good Body "starts with Eve's tortured relationship with her own "post-forties" stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the "flabby badness" out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating "spread," a stubborn layer of fat that she calls "a second pair of thighs." The wife of a plastic surgeon recounts being systematically reconstructed-inch by inch-by her "perfectionist" husband. An aging magazine executive, still haunted by her mother's long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups.
Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature's diversity; an Indian woman who transcends "treadmill mania" and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve's global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the "good bodies" we inhabit.
"From the Hardcover edition.
About the Author
EVE ENSLER is an award-winning playwright, poet, activist, and screenwriter whose many works for the stage include The Depot, Floating Rhoda and the Glue Man, Extraordinary Measures, Lemonade, Ladies, and, most recently, Necessary Targets, which was performed on Broadway to benefit Bos-nian women refugees. She has presented her off-Broadway hit The Vagina Monologues (winner of the 1997 Obie Award) at theaters and universities around the United States, as well as in Jerusalem, London, and Zagreb. She is currently writing a screenplay on women in prison for Glenn Close at Miramax and a new play for the Music Theater Group. An in-structor in the graduate Dramatic Writing Pro-gram at New York University, she lives in New York City with her partner, Ariel Orr Jordan.
"From the Trade Paperback edition."
Praise for Eve Ensler:
“Eve Ensler can soar to Rabelaisian heights or move us with quiet compassion. . . . She may not save the world, but what other playwrights even think of trying?”
Acclaim for The Vagina Monologues
“Spellbinding, funny, and almost unbearably moving . . . It is both a work of art and an incisive piece of cultural history, a poem and a polemic, a performance and a balm and a benediction.”
“The monologues are part of Eve Ensler’s crusade to wipe out the shame and embarrassment that many women still associate with their bodies or their sexuality. [They] are both a celebration of women’s sexuality and a condemnation of its violation.”
–The New York Times
“Women have entrusted Eve with their most intimate experiences. . . . I think readers, men as well as women, will emerge from these pages feeling more free within themselves–and about each other.”