"The Wrong Side of Paris, " the final novel in Balzac's "The Human Comedy, " is the compelling story of Godefroid, an abject failure at thirty, who seeks refuge from materialism by moving into a monastery-like lodging house in the shadows of Notre-Dame. Presided over by Madame de La Chanterie, a noblewoman with a tragic past, the house is inhabited by a remarkable band of men all scarred by the tumultuous aftermath of the French Revolution who have devoted their lives to performing anonymous acts of charity. Intrigued by the Order of the Brotherhood of Consolation and their uplifting dedication to virtuous living, Godefroid strives to follow their example. He agrees to travel incognito to a Parisian slum to save a noble family from ruin. There he meets a beautiful, ailing Polish woman who lives in great luxury, unaware that just outside her bedroom door her own father and son are suffering in dire poverty. By proving himself worthy of the Brotherhood, Godefroid finds his own spiritual redemption.
This vivid portrait of the underbelly of nineteenth-century Paris, exuberantly rendered by Jordan Stump, is the first major translation in more than a century of Balzac's forgotten masterpiece" L Envers de l histoire contemporaine." Featuring an illuminating Introduction by Adam Gopnik, this original Modern Library edition also includes explanatory notes.
"From the Hardcover edition.
About the Author
A prolific writer, Honore de Balzac (1799-1850) is generally regarded, along with Gustave Flaubert, as a founding father of realism in European literature, and as one of France's greatest fiction writers.
Jordan Stump is the noted translator of several modern French novelists, including novel prize winner Claude Simon, for whom his translation of Le Jardin des Plantes won the French American Foundation s Translation Prize.
Adam Gopnik has been a staff writer forThe New Yorker since 1986. He has published many books includingParis to the Moon. He lives in New York City.
"What a glorious find! Here is a tale of strange and wonderful passions, mystery, intrigue, and the dark night of the soul. In this fresh and fluent translation, Balzac's masterful depiction of our human comedy proves once again that this giant of the nineteenth-century novel will always remain among the most modern of writers."
"Smartly paced, passionately full of Parisian excitement, this brisk new translation proves that the
French master never lost his powerful, teeming urgency. Balzac's last novel deserves its posthumous place in La Comédie humaine."
"Baudelaire was surprised that Balzac's reputation depended on passing for an "observer"; for me, the poet said of the novelist, his great virtue lies in the fact that he was a visionary, a passionate visionary. Such a judgment brings us, not face to face but as in a glass darkly, to the Master's last, flagrantly figmentary fiction, wonderfully titled in English to form the revelatory equation: Paris = history. Mr. Stump has again triumphed over his material, which means that the material here stands forth in all its messy, enthralling richesse, and with excellent notes into the bargain, as Balzac would say."