In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante.
In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and vulnerable. Colacello gives us, as no one else can, a riveting portrait of this extraordinary man: brilliant, controlling, shy, insecure, and immeasurably influential. When Holy Terror was first published in 1990, it was hailed as the best of the Warhol accounts. Now, some two decades later, this portrayal retains its hold on readers—as does Andy’s timeless power to fascinate, galvanize, and move us.
About the Author
Bob Colacello was born in Brooklyn, studied film criticism at Columbia and began publishing film reviews in the Village Voice in 1969. After his write-up of Andy Warhol's Trash appeared, Colacello began to work for Interview and was swiftly made Editor, a post he held until 1983. More recently he is a memoirist, biographer and writer for Vanity Fair.
“Killingly observed. Dissecting Warhol with an amiable but sharp wit, Mr. Colacello also manages to give him more of a human dimension than anyone else.” —The New York Times
“By far the best of Andy Warhol’s portraits, including his own.” —George Plimpton
“Compelling. . . . Perceptive, intuitive, and amusing.” —New York Daily News
“This is a first-rate sweeping memoir of an astonishing cultural phenomenon. . . . Gossipy, gutsy, and gripping . . . A work of startling immediacy and convincing honesty.” —Kirkus Reviews