When the Time Traveller courageously stepped out of his machine for the first time, he found himself in the year 802,700--and everything has changed. In another, more utopian age, creatures seemed to dwell together in perfect harmony. The Time Traveller thought he could study these marvelous beings--unearth their secret and then retum to his own time--until he discovered that his invention, his only avenue of escape, had been stolen.
H.G. Well's famous novel of one man's astonishing journey beyond the conventional limits of the imagination first appeared in 1895. It won him immediate recognition, and has been regarded ever since as one of the great masterpieces in the literature of science fiction.
About the Author
Often called "the father of science fiction," British author Herbert George (H. G.) Wells' literary works are notable for being some of the first titles of the science fiction genre, and include such famed titles as The Time Machine, The War of the Worlds, The Island of Doctor Moreau, and The Invisible Man. Despite being fixedly associated with science fiction, Wells wrote extensively in other genres and on many subjects, including history, society and politics, and was heavily influenced by Darwinism. His first book, Anticipations of the Reaction of Mechanical and Scientific Progress Upon Human Life and Thought, offered predictions about what technology and society would look like in the year 2000, many of which have proven accurate. Wells went on to pen over fifty novels, numerous non-fiction books, and dozens of short stories. His legacy has had an overwhelming influence on science fiction, popular culture, and even on technological and scientific innovation. Wells died in 1946 at the age of 79.
Derek Jacobi is a celebrated actor, having won a Tony(R) Award for Much Ado About Nothing, and an Emmy(R) award for Graham Greene's The Tenth Man. Jacobi is perhaps best known for his brilliant portrayal of the Emperor in the miniseries, I Claudius.
“[Wells] contrives to give over humanity into the clutches of the Impossible and yet manages to keep it down (or up) to its humanity, to its flesh, blood, sorrow, folly.” —Joseph Conrad