Continuing the pitch-perfect critiques begun in "The Great Movies," Roger Ebert's "The Great Movies II" collects 100 additional essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to films with a fresh set of eyes and renewed enthusiasm--or perhaps to an avid first-time viewing. Neither a snob nor a shill, Ebert manages in these essays to combine a truly populist appreciation for today's most important form of popular art with a scholar's erudition and depth of knowledge and a sure aesthetic sense. Once again wonderfully enhanced by stills selected by Mary Corliss, former film curator at the Museum of Modern Art, "The Great Movies II "is a treasure trove for film lovers of all persuasions, an unrivaled guide for viewers, and a book to return to again and again.
Films featured in "The Great Movies II"
"12 Angry Men - The Adventures of Robin Hood - Alien - Amadeus - Amarcord - Annie Hall - Au Hasard, Balthazar - The Bank Dick - Beat the Devil - Being There - The Big Heat - The Birth of a Nation - The Blue Kite - Bob le Flambeur - Breathless - The Bridge on the River Kwai - Bring Me the Head of Alfredo Garcia - Buster Keaton - Children of Paradise - A Christmas Story - The Color Purple - The Conversation - Cries and Whispers - The Discreet Charm of the Bourgeoisie - Don't Look Now - The Earrings of Madame de . . . - The Fall of the House of Usher - The Firemen's Ball - Five Easy Pieces - Goldfinger - The Good, the Bad and the Ugly - Goodfellas - The Gospel According to Matthew - The Grapes of Wrath - Grave of the Fireflies - Great Expectations - House of Games - The Hustler - In Cold Blood - Jaws - Jules and Jim - "Kieslowski's Three Colors Trilogy" - Kind Hearts and Coronets - King Kong - The Last Laugh - Laura - Leaving Las Vegas - Le Boucher - The Leopard - The Life and Death of Colonel Blimp - The Manchurian Candidate - The Man Who Laughs - Mean Streets - Mon Oncle - Moonstruck - The Music Room - My Dinner with Andre - My Neighbor Totoro - Nights of Cabiria - One Flew Over the Cuckoo's Nest - Orpheus - Paris, Texas - Patton - Picnic at Hanging Rock - Planes, Trains and Automobiles - The Producers - Raiders of the Lost Ark - Raise the Red Lantern - Ran - Rashomon - Rear Window - Rififi - The Right Stuff - Romeo and Juliet - The Rules of the Game - Saturday Night Fever - Say Anything - Scarface - The Searchers - Shane - Snow White and the Seven Dwarfs - Solaris - Strangers on a Train - Stroszek - A Sunday in the Country - Sunrise - A Tale of Winter - The Thin Man - This Is Spinal Tap -Tokyo Story - Touchez Pas au Grisbi - Touch of Evil - The Treasure of the Sierra Madre - Ugetsu - Umberto D - Unforgiven - Victim - Walkabout - West Side Story - Yankee Doodle Dandy
About the Author
Roger Ebert is the Pulitzer Prize-winningthe film critic of the Chicago Sun-Times.His reviews are syndicated in more than 200 newspapers worldwide, and he is known for his work with fellow movie critic Gene Siskel. He began working with Robert Roeper after Siskel s death in 1999. Ebert is the author of more than twenty books, including The Great Movies, Awake in the Dark: The Best of Roger Ebert, Roger Ebert s Movie Year Book, and Ebert s Bigger Little Movie Glossary, many of which have been bestsellers. His memoir, Life Itself, was a New York Times bestseller. Ebert is the only film critic honored with a start on the Hollywood Walk of Fame. He lives with his wife in Chicago.
“Ebert’s enthusiasm and . . . straightforward prose are ideal for examining films . . . You remember why he’s the only film critic ever to win the Pulitzer Prize.” —New York Post
“[T]hese pieces reflect Ebert’s long, thoughtful, informed familiarity with these films. His impeccable credentials as an accessible populist encourage thinking that his recommendations . . . may be taken to heart by mainstream moviegoers who avidly follow his newspaper and TV reviews.” —Booklist
“An appreciation of the greatest movies by the greatest movie enthusiast . . . I read this book with pleasure, enlightenment, and a desire to see many of the movies again, because I had missed what Roger saw.” —Paul Theroux