Building on the national bestselling success of "Sex, Drugs, and Cocoa Puffs," preeminent pop culture writer Chuck Klosterman unleashes his best book yet--the story of his cross-country tour of sites where rock stars have died and his search for love, excitement, and the meaning of death.
For 6,557 miles, Chuck Klosterman thought about dying. He drove a rental car from New York to Rhode Island to Georgia to Mississippi to Iowa to Minneapolis to Fargo to Seattle, and he chased death and rock 'n' roll all the way. Within the span of twenty-one days, Chuck had three relationships end--one by choice, one by chance, and one by exhaustion. He snorted cocaine in a graveyard. He walked a half-mile through a bean field. A man in Dickinson, North Dakota, explained to him why we have fewer windmills than we used to. He listened to the KISS solo albums and the Rod Stewart box set. At one point, poisonous snakes became involved. The road is hard. From the Chelsea Hotel to the swampland where Lynyrd Skynyrd's plane went down to the site where Kurt Cobain blew his head off, Chuck explored every brand of rock star demise. He wanted to know why the greatest career move any musician can make is to stop breathing...and what this means for the rest of us.
About the Author
Chuck Klosterman is the "New York Times" bestselling author of seven books, including "Sex, Drugs, and Cocoa Puffs"; "Eating the Dinosaur"; and "The Visible Man". His debut book, "Fargo Rock City", was the winner of the ASCAP-Deems Taylor Award. He has written for "GQ, Esquire", "The New York Times Magazine, Spin, The Washington Post, The Guardian, The Believer, A.V. Club", and ESPN, and he now writes about sports and pop culture for Grantland.com.
"Mr. Klosterman makes good, smart company."
-- Janet Maslin, The New York Times
"Sometimes when you're the co-pilot on a road trip, you're having such a good time talking to your buddy, gazing out the window, and listening to awesome music that you're a little reluctant to stop and get out when you actually reach your destination. That's what reading this book is like."
-- Gregory Kirschling, Entertainment Weekly
"[Klosterman] writes with real articulacy and feeling about the relationship between rock music and the non-alpha males who worship it. . . . He's ferociously clever and ferociously self-deprecating, which makes him a superb companion. . . . I absolutely loved it. I don't suppose those guys in tight trousers and makeup have any idea they have such a great chronicler."
-- William Leith, Evening Standard (London)