The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.
Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London's West End, or in a tiny desert settlement in Israel's occupied West Bank.
About the Author
Philip Roth was born in New Jersey in 1933. He studied literature at Bucknell University and the University of Chicago. His first book, "Goodbye, Columbus", won the National Book Award for Fiction in 1960. He has lived in Rome, London, Chicago, New York City, Princeton, and New England. Since 1955, he has been on the faculties of the University of Chicago, Princeton University, and the University of Pennsylvania, where he is now Adjunct Professor of English. He is also General Editor of the Penguin Books series "Writers from the Other Europe." Recently he has been spending half of each year in Europe, traveling and writing.
"Magnificent...splendid.... I hope The Counterlife felt, as Mr. Roth wrote it, like a triumph, because that is certainly how it reads to me." —William Gass, The New York Times Book Review
"Roth is a comic genius.... In this book (wonderfully sharp, worryingly intense) he is an electrifier." —Martin Amis, The Atlantic
"No other writer combines such a surface of colloquial relaxation and even dishevelment with such a dense load of mediating intelligence.... Roth has never written more scrupulously or, in spots, more lovingly." —John Updike, The New Yorker