The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.
Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London's West End, or in a tiny desert settlement in Israel's occupied West Bank.
About the Author
In 1997 PHILIP ROTH won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in fiction, previously awarded to John Dos Passos, William Faulkner, and Saul Bellow, among others. He has twice won the National Book Award and the National Book Critics Circle Award. He has won the PEN/Faulkner Award three times. He has also won American PEN's two highest awards: the PEN/Nabokov and PEN/Bellow awards. He is the only living American novelist to have his work published in a comprehensive, definitive edition by the Library of America.
"Magnificent...splendid.... I hope The Counterlife felt, as Mr. Roth wrote it, like a triumph, because that is certainly how it reads to me." —William Gass, The New York Times Book Review
"Roth is a comic genius.... In this book (wonderfully sharp, worryingly intense) he is an electrifier." —Martin Amis, The Atlantic
"No other writer combines such a surface of colloquial relaxation and even dishevelment with such a dense load of mediating intelligence.... Roth has never written more scrupulously or, in spots, more lovingly." —John Updike, The New Yorker