The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E. I. Lonoff.
At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life.
The first volume of the trilogy and epilogue Zuckerman Bound, The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency—and about those implacable practitioners who live with the consequences of sacrificing one for the other.
About the Author
Philip Roth was born in New Jersey in 1933. He studied literature at Bucknell University and the University of Chicago. His first book, "Goodbye, Columbus", won the National Book Award for Fiction in 1960. He has lived in Rome, London, Chicago, New York City, Princeton, and New England. Since 1955, he has been on the faculties of the University of Chicago, Princeton University, and the University of Pennsylvania, where he is now Adjunct Professor of English. He is also General Editor of the Penguin Books series "Writers from the Other Europe." Recently he has been spending half of each year in Europe, traveling and writing.
"Roth's most controlled and elegant work...serious, intelligent, dramatic, acutely vivid, slyly and wickedly funny...seductive far beyond its brief efficiency." —Village Voice
"I had only to read the two opening sentences to realize that I was once again in the hands of a superbly endowed storyteller." —Robert Towers, The New York Review of Books
"Further evidence that Roth can do practically anything with fiction. His narrative power—the ability to delight the reader simultaneously with the telling and the tale—is superb." —Washington Post