***WINNER OF THE 1992 PULIZTER PRIZE***
Acclaimed as a quiet triumph and a brutally moving work of art, the first volume of Art Spiegelman's "Maus"introduced readers to Vladek Spieglman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive.
This second volume, subtitled "And Here My Troubles Began, "moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. "Maus"ties together two powerful stories: Vladek's harrowing take of survival against all odds, delineating the paradox of family life in the death camps, and the author's account of his tortured relationship with his aging father. At every level this is the ultimate survivor's tale and that too of the children who somehow survive even the survivors.
About the Author
Art Spiegelman is the Pulitzer-Prize-winning creator of Maus. He's also a groundbreaking editor, whose recent projects include the Toon books line of graphic novels for school libraries, as well as the 1980s seminal comics anthology Raw, which introduced cartoonists likeCharles Burns and helped kickstart the alternative comics movement. He's long been associated with the New Yorker.
"The most affecting and successful narrative ever done about the Holocaust."
—The Wall Street Journal
"Maus is a book that cannot be put down, truly, even to sleep. When two of the mice speak of love, you are moved, when they suffer, you weep. Slowly through this little tale comprised of suffering, humor and life's daily trials, you are captivated by the language of an old Eastern European family, and drawn into the gentle and mesmerizing rhythm, and when you finish Maus, you are unhappy to have left that magical world."
"In part two of Maus, Art Spiegelman finishes his masterpiece . . . You can't help witnessing—even feeling—the act of private pain being transformed into lasting truth."
—The Boston Globe
"One of the most poweful and original memoirs to come along in recent years . . . An epic story told in tiny pictures."
—The New York Times