"Some people's lives are affected by what happens to their person or their property, but for others fate is what happens to their feelings and their thoughts—that and nothing more." In this haunting 1935 novel, the Pulitzer Prize–winning author of My Ántonia and Death Comes for the Archbishop performs a series of crystalline variations on the themes that preoccupy her greatest fiction: the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art.At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.
About the Author
A Pulitzer Prize-winning author, Willa Cather's work was profoundly influenced by her upbringing in rural Nebraska. During her young adulthood Cather proved herself intelligent and capable, initially training for a career as a medical doctor, but discovered a love of, and talent for, writing while attending the University of Nebraska. Following graduation, Cather worked as a journalist for several women's magazines before becoming a high school teacher; an opportunity work as an editor at McClure's provided Cather with her first chance to publish as the magazine serialized her first novel, Alexander's Bridge, to critical acclaim. This was soon followed by works that have since become best-loved American classics, including My ?ntonia, The Song of the Lark, and her Pulitzer-Prize winner, One of Ours. Cather died in 1947 at the age of 73.
"The unity of Miss Cather's design, the clarity and distinction of this book, should put it beside her first great success, My Ántonia." —The Times Literary Supplement (London)