Only "The New Yorker" could fetch such an unbelievable roster of talent on the subject of man's best friend. This copious collection, beautifully illustrated in full color, features articles, fiction, humor, poems, cartoons, cover art, drafts, and drawings from the magazine's archives. The roster of contributors includes John Cheever, Susan Orlean, Roddy Doyle, Ian Frazier, Arthur Miller, John Updike, Roald Dahl, E. B. White, A. J. Liebling, Alexandra Fuller, Jerome Groopman, Jeffrey Toobin, T. Coraghessan Boyle, Ogden Nash, Donald Barthelme, Jonathan Lethem, Mark Strand, Anne Sexton, and Cathleen Schine. Complete with a Foreword by Malcolm Gladwell and a new essay by Adam Gopnik on the immortal canines of James Thurber, this gorgeous keepsake is a gift to dog lovers everywhere from the greatest magazine in the world.
About the Author
Malcolm Gladwell has been a staff writer with the New Yorker since 1996. He is a former writer at the Washington Post and served as the newspaper s New York City bureau chief. He has won a National Magazine Award, and in 2005 he was named one of Time magazine s 100 Most Influential People. He is the author of four books: The Tipping Point: How Little Things Make a Big Difference, Blink: The Power of Thinking without Thinking, and Outliers: The Story of Success, all of which were #1 New York Times bestsellers. His book What the Dog Saw is a compilation of stories published in the New Yorker. Gladwell graduated from the University of Toronto, Trinity College, with a degree in history. He was born in England, grew up in rural Ontario, and now lives in New York City.
“The title says it all. It’s from the New Yorker! It’s about dogs! . . . And, of course, it has wonderful cartoons. . . . Marvelous . . . A must-have.”—Booklist
“Do you have a dog lover in your family or circle of friends? Do you need to get them a holiday gift? Look no further. The Big New Yorker Book of Dogs is a terrific book. . . . Big in dimension, quantity and quality.”—Forbes.com
“I usually hate anthologies. . . . But this one works triumphantly. . . . Above all it works because there is tremendous writing. Because of the amused insouciance, the self-deprecation, the gentle unfolding of a structural irony, the skip and reveal of the final sentence, the knowledge of Not Too Much that seems intrinsic to the New Yorker. And cartoons.”—Edmund De Waal, The Spectator