In this major new rendition by the acclaimed translator Julie Rose, Victor Hugo's tour de force, "Les Miserables," is revealed in its full unabridged glory. A favorite of readers for nearly 150 years, and the basis for one of the most beloved stage musicals ever, this stirring tale of crime, punishment, justice, and redemption pulses with life and energy. Hugo sweeps readers from the French provinces to the back alleys of Paris, and from the battlefield of Waterloo to the bloody ramparts of Paris during the uprising of 1832.
First published in 1862, this sprawling novel is an extravagant historical epic that is teeming with harrowing adventures and unforgettable characters. In the protagonist, Jean Valjean, a quintessential prisoner of conscience who languished for years in prison for stealing bread to feed his starving family, "Les Miserables" depicts one of the grand themes in literature that of the hunted man. Woven into the narrative are the prevalent social issues of Hugo's day: injustice, authoritarian rule, social inequality, civic unrest. And this new translation brings astonishing vivacity and depth to Hugo's immortal dramatis personae the relentless police detective Javert, the saintly bishop Myriel, the tragic prostitute Fantine and her innocent daughter, Cosette, the dashing lover Marius, and many others whom Jean Valjean encounters on his path to sublime sacrifice.
Featuring an Introduction by the award-winning journalist and author Adam Gopnik, this Modern Library edition is an outstanding, authoritative translation of a masterpiece, a literary high-wire act that continues to astonish, stimulate, enlighten, and entertain readers around the world.
About the Author
The best-known of the French Romantic writers, Victor Hugo was a poet, novelist, dramatist, and political critic. Hugo was an avid supporter of French republicanism and advocate for social and political equality, themes that reflect most strongly in his works Les Mis?rables, Notre-Dame de Paris (The Hunchback of Notre-Dame), and Le Dernier jour d'un condamn? (The Last Day of a Condemned Man). Hugo's literary works were successful from the outset, earning him a pension from Louis XVIII and membership in the prestigious Acad?mie fran?aise, and influencing the work of literary figures such as Albert Camus, Charles Dickens, and Fyodor Dostoevsky. Elevated to the peerage by King Louis-Philippe, Hugo played an active role in French politics through the 1848 Revolution and into the Second and Third Republics. Hugo died in 1885, revered not only for his influence on French literature, but also for his role in shaping French democracy. He is buried in the Panth?on alongside Alexandre Dumas and ?mile Zola.
Julie Rose is a prize-winning, world-renowned translator of major French thinkers, known for, among other works, her acclaimed translation of Victor Hugo's Les Mise rables, which was published by Random House in 2008.
Adam Gopnik has been a staff writer forThe New Yorker since 1986. He has published many books includingParis to the Moon. He lives in New York City.
“Rich and gorgeous. This is the [translation] to read… and if you are flying, just carry it under your arm as you board, or better still, rebook your holiday and go by train, slowly, page by page.”
—Jeanette Winterson, The Times (London)
“[A] magnificent story… marvelously captured in this new unabridged translation by Julie Rose.”
—The Denver Post
“A new translation by Julie Rose of Hugo’s behemoth classic that is as racy and current and utterly arresting as it should be.”
—Buffalo News (editor’s choice)
“Vibrant and readable, idiomatic and well suited to a long narrative, [Julie Rose’s new translation of Les Miserables] is closer to the captivating tone Hugo would have struck for his own contemporaries.”
“A lively, dramatic, and wonderfully readable translation of one of the greatest 19th-century novels.”
“Some of us may have read Les Miserables back in the day, but… between Gopnik and Rose, you’ll get two introductions that will offer you all the pleasures of your college instruction with none of the pain.”
—The Agony Column (trashotron.com)