When John Harmon—who has been left a fortune if he will marry the girl his miserly father chose for him—is found floating dead in the Thames, he sets in motion a story overflowing with cases of deception and mistaken identity, of murder and attempted murder, of sin and redemption. The influence of the notorious Harmon inheritance ripples through a large cast of vividly drawn characters from every level of society, including Noddy Boffin, known as “the Golden Dustman”; the one-legged villain Silas Wegg; willful Bella Wilfer; saintly Lizzie Hexam; the sharp-witted doll’s dressmaker Jenny Wren; the social-climbing Veneerings; the ruthless speculator Fascination Fledgeby; and the river-scavenging corpse robbers Gaffer Hexam and Rogue Riderhood. Out of this flurry of invention Dickens creates in Our Mutual Friend a portrait of a city and a civilization that is at once indignant, compassionate, and utterly unforgettable.
Charles Dickens’s last completed novel features one of his most surreal and haunting visions of London, shadowed by towering dust heaps that supply the corrupting riches at the heart of the plot and washed by the dark river that winds its way insistently through the story.
This edition reprints the original Everyman’s preface by G. K. Chesterton and features forty illustrations by Marcus Stone.
About the Author
Arguably one of the greatest writers of the Victorian era, Charles Dickens is the author of such literary masterpieces as A Tale of Two Cities (1859), A Christmas Carol (1843), David Copperfield (1850), and The Adventures of Oliver Twist (1839), among many others. Dickens' s indelible characters and timeless stories continue to resonate with readers around the world more than 130 years after his death. Dickens was born in 1812 and died in 1870.
About the Author:
Andrew Sanders is Professor of English Studies at the University of Durham and the editor of a number of World's Classics editions, including Dickens's A Tale of Two Cities and Thackeray's Barry Lyndon.
“The fact that Dickens is always thought of as a caricaturist, although he was constantly trying to be something else, is perhaps the surest mark of his genius.” —George Orwell