The Brothers Karamazov, Dostoevsky’s last and greatest novel, published just before his death in 1881, chronicles the bitter love-hate struggle between the outsized Fyodor Karamazov and his three very different sons. It is above all the story of a murder, told with hair-raising intellectual clarity and a feeling for the human condition unsurpassed in world literature.
Dostoevsky’s towering reputation as one of the handful of thinkers who forged the modern sensibility has sometimes obscured the purely novelistic virtues–brilliant characterizations, flair for suspense and melodrama, instinctive theatricality–that made his work so immensely popular in nineteenth-century Russia.
This award-winning translation by Richard Pevear and Larissa Volokhonsky–the definitive version in English–magnificently captures the rich and subtle energies of Dostoevsky’s masterpiece.
(Book Jacket Status: Jacketed)
About the Author
Fyodor Dostoyevsky was a Russian novelist, short story writer and essayist whose literary works explored human psychology in the troubled political, social, and spiritual context of nineteenth-century Russia. A student of the the Nikolayev Military Engineering Institute, Dostoyevsky initially worked as an engineer, but began translating books to earn extra money. The publication of his first novel, Poor Folk, allowed him to join St. Petersburg's literary circles. A prolific writer, Dostoyevsky is best known for work from the latter part of his career, including the classic novels Crime and Punishment, The Idiot and The Brothers Karamazov. Dostoyevsky's influence extends to authors as diverse as Anton Chekhov, James Joyce, Ernest Hemingway, and Jean-Paul Sartre, among many others. He died in 1881.
“[Dostoevsky is] at once the most literary and compulsively readable of novelists we continue to regard as great . . . The Brothers Karamazov stands as the culmination of his art–his last, longest, richest, and most capacious book. [This] scrupulous rendition can only be welcomed. It returns us to a work we thought we knew, subtly altered and so made new again.” –Washington Post Book World
“A miracle . . . Every page of the new Karamazov is a permanent standard, and an inspiration.” –The Times (London)
“One finally gets the musical whole of Dostoevsky’s original.” –New York Times Book Review
“Absolutely faithful . . . Fulfills in remarkable measure most of the criteria for an ideal translation . . . The stylistic accuracy and versatility of registers used . . . bring out the richness and depth of the original in a way similar to a faithful and sensitive restoration of a painting.” –The Independent
“It may well be that Dostoevsky’s [world], with all its resourceful energies of life and language, is only now–and through the medium of [this] new translation–beginning to come home to the English-speaking reader.” –New York Review of Books
“Heartily recommended to any reader who wishes to come as close to Dostoevsky’s Russian as it is possible.” –Joseph Frank, Princeton University
With an Introduction by Malcolm V. Jones