In its marvelously perceptive portrayal of two young women in love, Sense and Sensibility is the answer to those who believe that Jane Austen’s novels, despite their perfection of form and tone, lack strong feeling.
Its two heroines, Marianne and Elinor—so utterly unlike each other–both undergo the most violent passions when they are separated from the men they love. What differentiates them, and gives this extroardinary book its complexity and brilliance, is the way each expresses her suffering: Marianne–young, impetuous, ardent–falls into paroxysms of grief when she is rejected by the dashing John Willoughby; while her sister, Elinor—wiser, more sensible, more self-controlled—masks her despair when it appears that Edward Ferrars is to marry the mean-spirited and cunning Lucy Steele. All, of course, ends happily—but not until Elinor’s “sense” and Marianne’s “sensibility” have equally worked to reveal the profound emotional life that runs beneath the surface of Austen’s immaculate and irresistible art.
(Book Jacket Status: Jacketed)
About the Author
Jane Austen is one of the most important English novelists to emerge in the 18th Century. Her brilliant, satirical, and elegant novels have transcended time and earned her a place among the greatest literary figures that ever lived. Born to a clergyman in 1775, Ms. Austen's writing career began at the tender age of 14, when she completed her first novel, Love and Friendship. She would go on to thrill the world with her romantic literary tales ever after.
Peter Conrad is Tutor in English at Christ Church College, Oxford.
“[Sense and Sensibility] is a subtler and a more searching novel than [its critics’] blunt instruments of perception have been capable of registering, because it deals not with the categories of romantic philosophy but with the transformation of those categories into ways of feeling and behaving. It explores the unsettling romantic alteration of the internal life.” –from the Introduction by Peter Conrad