A deliciously satirical attack on a money-mad society, Vanity Fair, which first appeared in 1847, is an immensely moral novel, and an immensely witty one. Called in its subtitle “A Novel Without a Hero,” Vanity Fair has instead two heroines: the faithful, loyal Amelia Sedley and the beautiful and scheming social climber Becky Sharp. It also engages a huge cast of wonderful supporting characters as the novel spins from Miss Pinkerton’s academy for young ladies to affairs of love and war on the Continent to liaisons in the dazzling ballrooms of London. Thackeray’s forte is the bon mot and it is amply exercised in a novel filled with memorably wicked lines. Lengthy and leisurely in pace, the novel follows the adventures of Becky and Amelia as their fortunes rise and fall, creating a tale of both picaresque and risqué. Thackery mercilessly skewers his society, especially the upper class, poking fun at their shallow values and pointedly jabbing at their hypocritical “morals.” His weapons, however, are not fire and brimstone but an unerring eye for the absurd and a genius for observation of the foibles of his age. An enduring classic, this great novel is a brilliant study in duplicity and hypocrisy…and a mirror with which to view our own times.
About the Author
William Makepeace Thackeray was a nineteenth century English novelist who was most famous for his classic novel, Vanity Fair, a satirical portrait of English society. With an early career as a satirist and parodist, Thackeray shared a fondness for roguish characters that is evident in his early works such as Vanity Fair, The Luck of Barry Lyndon, and Catherine, and was ranked second only to Charles Dickens during the height of his career. In his later work, Thackeray transitioned from the satirical tone for which he was known to a more traditional Victorian narrative, the most notable of which is The History of Henry Esmond. Thackeray died in 1863.
"I do not say there is no character as well drawn in Shakespeare [as D'Artagnan]. I do say there is none that I love so wholly."
--Robert Louis Stevenson
"The lasting and universal popularity of The Three Musketeers shows that Dumas, by artlessly expressing his own nature in the persons of his heroes, was responding to that craving for action, strength and generosity which is a fact in all periods and all places."