Considered by many the greatest war novel of all time, All Quiet on the Western Front is Erich Maria Remarque's masterpiece of the German experience during World War I.
I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. . . .
This is the testament of Paul Baumer, who enlists with his classmates in the German army during World War I. They become soldiers with youthful enthusiasm. But the world of duty, culture, and progress they had been taught breaks in pieces under the first bombardment in the trenches.
Through years of vivid horror, Paul holds fast to a single vow: to fight against the principle of hate that meaninglessly pits young men of the same generation but different uniforms against one another . . . if only he can come out of the war alive.
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The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure. The New York Times Book Review
About the Author
Erich Maria Remarque, who was born in Germany, was drafted into the German army during World War I. Through the hazardous years following the war he worked at many occupations: schoolteacher, small-town drama critic, race-car driver, editor of a sports magazine. His first novel, All Quiet on the Western Front, was published in Germany in 1928. A brilliant success, selling more than a million copies, it was the first of many literary triumphs. When the Nazis came to power, Remarque left Germany for Switzerland. He rejected all attempts to persuade him to return, and as a result he lost his German citizenship, his books were burned, and his films banned. He went to the United States in 1938 and became a citizen in 1947. He later lived in Switzerland with his second wife, the actress Paulette Goddard. He died in September 1970.
“The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—The New York Times Book Review