October 2009 Indie Next List
“This dark and brilliant graphic novel memoir is an exploration of a troubled childhood that brilliantly conveys the loneliness of a family for whom intimacy is the greatest sin.”
— William Graff, UCLA Bookzone, Los Angeles, CA
InStitches, Small, the award-winning children's illustrator and author, re-creates this terrifying event in a life story that might have been imagined by Kafka. As the images painfully tumble out, one by one, we gain a ringside seat at a gothic family drama where David a highly anxious yet supremely talented child all too often became the unwitting object of his parents buried frustration and rage. Believing that they were trying to do their best, David's parents did just the reverse. Edward Small, a Detroit physician, who vented his own anger by hitting a punching bag, was convinced that he could cure his young son's respiratory problems with heavy doses of radiation, possibly causing David's cancer. Elizabeth, David's mother, tyrannically stingy and excessively scolding, ran the Small household under a cone of silence where emotions, especially her own, were hidden Depicting this coming-of-age story with dazzling, kaleidoscopic images that turn nightmare into fairy tale, Small tells us of his journey from sickly child to cancer patient, to the troubled teen whose risky decision to run away from home at sixteen with nothing more than the dream of becoming an artist will resonate as the ultimate survival statement A silent movie masquerading as a book, Stitches renders a broken world suddenly seamless and beautiful again. Finalist for the 2009 National Book Award (Young Adult); finalist for two 2010 Will Eisner Comic Industry Awards (Best Writer/Artist: Nonfiction; Best Reality-Based Work).
About the Author
As a young artist I had many influences coming from some unexpected directions. My mother often took me to the art museum to expose me to culture, but at that time I felt little for the great European masters' works hanging in their gilt frames. However, in school we had taken a field trip to the automobile factories and when, at the museum, I saw a mural about the car industry painted by the Mexican artist Diego Rivera, life and art fused for me. I suddenly realized the very real power artists have to shape our vision of the world. Here was a painting that showed something I knew about, expressing feelings about the factories that I had felt, restating my emotions and giving them order and form. Perhaps it was at that moment -- standing before the great Rivera mural -- that I determined to work at my talent for drawing and to become an artist.
Another influence was the hospital where my father, a radiologist, worked in the X-ray department. Evenings, I would go with my mother in our car to pick my father up from work. Often he was still busy and we had to wait, so I wandered in and out of the X-ray rooms with their silent, mysterious machines, through the labs, the darkrooms, and the waiting room, where I talked with the patients. There, at an early age, I learned a lot about life and death and saw images of the living insides of the human body illuminated in the dark. Those ghostly, glowing, starkly beautiful images stayed with me. Later on, in college art classes, I jumped at the chance to study anatomy, to draw and give names to those shapes with which I was so familiar. For the other art students, anatomy was an abstraction and a bore, but for me it was exciting and very real.
A third strong influence was my grandmother's home in rural Indiana, where I spent my spring vacations as a boy. In those days -- before television -- we spent much of our time out of doors. In the hot afternoons I would wander through my grandmother's big garden, or run with a dog named Butch to the bottom of a pasture to hunt for woodchucks. We would rest for a time next to a cattle trough in the shade of some huge willow trees. After dark I followed my grandfather down a corridor of trees to the train depot and watched the steam locomotives roll in and roll out. Back home again, my brother and I caught fireflies in jars and tried to read by them, or we lay around on blankets on the lawn, talking for hours beneath the stars. I'm grateful that at least part of my childhood was lived without a television set. I feel lucky to have known the world as it was back then.
David Small grew up in Detroit, studied art and English at Wayne State University, and went on to complete graduate studies in art at Yale. After receiving his MFA degree, he taught at the State University of New York/ Fredonia College, Kalamazoo College, and the University of Michigan.
Mr. Small's illustrations have won him numerous awards, including a Caldecott Medal in 2001 and a Caldecott Honor in 1997. He has created over thirty books for children, has reviewed children's books for The New York Times, and was the final judge for the 1989 Parents' Choice Awards for Illustration. His editorial drawings regularly appear in publications such as "The New York Times, The New Yorker, GQ", and "The Washington Post".
David Small and his wife, the writer Sarah Stewart, live in a historic house on a bend of the St. Joseph River in Michigan. They have an Airedale named Simon and a cat named Otis.