What greater praise than to be compared to Judy Blume!--"Each [Blume and Hiranandani] excels in charting the fluctuating discomfort zones of adolescent identity with affectionate humor."--Kirkus Reviews, Starred
After her father loses his job, Sonia Nadhamuni, half Indian and half Jewish American, finds herself yanked out of private school and thrown into the unfamiliar world of public education. For the first time, Sonia's mixed heritage makes her classmates ask questions—questions Sonia doesn't always know how to answer—as she navigates between a group of popular girls who want her to try out for the cheerleading squad and other students who aren't part of the "in" crowd.
At the same time that Sonia is trying to make new friends, she's dealing with what it means to have an out-of-work parent—it's hard for her family to adjust to their changed circumstances. And then, one day, Sonia's father goes missing. Now Sonia wonders if she ever really knew him. As she begins to look for answers, she must decide what really matters and who her true friends are—and whether her two halves, no matter how different, can make her a whole.
About the Author
VEERA HIRANANDANI has an MFA in Fiction Writing from Sarah Lawrence College. She has written fiction for both children and adults. The Whole Story of Half a Girl is her debut novel.
Starred Review, Publishers Weekly, November 14, 2011:
"In Hiranandani’s debut novel, Sonia’s struggles are painfully realistic, as she wrestles with how to identify herself, how to cope with her family’s problems, and how to fit in without losing herself. True to life, her problems do not wrap up neatly, but Sonia’s growth is deeply rewarding in this thoughtful and beautifully wrought novel."
Starred Review, Kirkus Reviews, November 15, 2011:
"Four decades separate Sonia Nadhamuni and Judy Blume’s Margaret Simon, but these feisty, funny offspring of Jewish interfaith marriages are sisters under the skin. Like Blume, Hiranandani resists simplistic, tidy solutions. Each excels in charting the fluctuating discomfort zones of adolescent identity with affectionate humor."