Margaret Atwood’s latest brilliant collection of short stories follows the life of a single character, seen as a girl growing up the 1930s, a young woman in the 50s and 60s, and, in the present day, half of a couple, no longer young, reflecting on the new state of the world. Each story focuses on the ways relationships transform a character’s life: a woman’s complex love for a married man, the grief upon the death of parents and the joy with the birth of children, the realization of what growing old with someone you love really means. By turns funny, lyrical, incisive, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage.
About the Author
Margaret Atwood's books have been published in over thirty-five countries. She is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye -- shortlisted for the Booker Prize -- Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy, The Blind Assassin, winner of the 2000 Booker Prize, and her most recent, Oryx and Crake -- shortlisted for the 2003 Booker Prize. She lives in Toronto with writer Graeme Gibson.
Praise for Moral Disorder and Other Stories…
“Sharply focused, intensely personal. . . . Moral Disorder is domestic realism at its most convincing. . . . These are poignant stories crammed with richly nostalgic detail, rueful, wise, elegiac.” —Joyce Carol Oates, The New York Review of Books“Elegant. . . . In Moral Disorder, Atwood travels deep into the expanse of memories and language built up over her writing lifetime and offers a handful of gems to illuminate our times.” —The Los Angeles Times Book Review“Poignant. . . . Wry. . . . The tremendous imaginative power of [Atwood's] fiction allows us to believe that anything is possible.” —New York Times Book Review“Searingly intelligent. . . . [These are] beguiling narratives that Atwood unspools with signature grace and incisiveness.” —Elle