Pornography: The force for change that has been written out of the history of world culture.
From cave painting to photography to the internet, pornography has always been at the cutting edge in adopting and exploiting new developments in mass communication. And in so doing, it has helped to promote and propel those developments in ways that are rarely acknowledged. Without pornography, the internet would not have grown so quickly. The e-commerce payment systems that are now commonplace would be at a far more primitive stage security and usability. Without video streaming software developed for pornography sites, CNN would be struggling to deliver news clips. Without advertising from sex sites, Google could not have afforded YouTube.
This smart, witty and well-researched history shows how a vast secret trade has bankrolled and shaped mainstream culture and its machines.
About the Author
PATCHEN BARSS is Director, Communications and Media Relations, with the Canadian Institute for Advanced Research. As a journalist he has written about science and the humanities in higher education for more than a decade. His
articles have appeared in "the National Post," "the Montreal Gazette," "Reader's Digest," "Saturday Night," "This Magazine," and many other publications. He has been a technology and culture columnist for CBC Online""and a producer for CBC Television.
"From the first cave drawings to how 'jiggle physics' advanced computer graphics to the 'twitterdildonics' of the future, a thorough, accessible, smart and insightful look at how pornography has driven communication technology throughout history."
-- Josey Vogels, sex and relationships columnist and author of Bedside Manners: Sex Etiquette Made Easy
"With an argument rich in fascinating stories and compelling characters, Patchen Barss proves this page-turner's startling thesis: pornography inspires advanced forms of communication. The Erotic Engine is enlightening, entertaining, and intellectually titillating."
--Micah Toub, author of Growing Up Jung: Coming of Age as the Son of Two Shrinks