In 1910, the mystery novelist Gaston Leroux, working from scraps of history, theatrical lore, and his own fertile imagination, created a masterpiece in "Le fantome de l'opera," the story of a disfigured composer who lives in the labyrinthine depths of the Paris Opera. After the breathtaking debut of Christine Daae, the whispers of an Opera ghost seem to become reality as the young singer vanishes. As the Phantom strikes again and again, targeting foes from a jealous diva to a romantic rival, Leroux spins a thriller of obsession and violence with, at its center, a tormented murderer who awakens our deepest fears and sympathies. The inspiration for Andrew Lloyd Webber's long-running musical, Leroux's novel is still more riveting than anything Broadway could produce.
About the Author
Gaston Leroux was a French journalist, short-story writer, and novelist, and is most famous for his acclaimed novel, The Phantom of the Opera. A student of law, Leroux turned to journalism after spending his inheritance on a lavish lifestyle. Over a decade of work as a court reporter and theatre critic for the L'?cho de Paris served as inspiration for his series of successful detective novels featuring Joseph Rouletabille, an amateur sleuth, and Leroux's contributions to the French detective genre are considered as significant as those of Sir Arthur Conan Doyle and Edgar Allan Poe. Leroux died in 1927.
Hoelterhoff is a member of the editorial board of the Wall Street Journal, where she received a Pulitzer Prize for cultural criticism.
Anne Perry is the bestselling author of two acclaimed series set in Victorian England: the Charlotte and Thomas Pitt novels, including Buckingham Palace Gardens and Long Spoon Lane, and the William Monk novels, including Execution Dock and Dark Assassin. She is also the author of a series of five World War I novels, as well as seven holiday novels, most recently A Christmas Odyssey, and a historical novel, The Sheen on the Silk, set in the Ottoman Empire. Anne Perry lives in Scotland.
“Ingenious . . . breathless suspense.”—The Nation