Etched against the background of a dying rural society, "Tess of the d'Urbervilles" was Thomas Hardy's 'bestseller, ' and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act.
'Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination, ' said Irving Howe. 'In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting.'
Now "Tess of the d'Urbervilles" has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.
"From the eBook edition.
About the Author
THOMAS HARDY (1840-1928) was an English author and poet best known for his literary masterpieces Jude the Obscure, Tess of the d'Urbervilles, Far from the Madding Crowd, and The Mayor of Casterbridge. While he achieved success during his lifetime for his novels, Hardy considered himself first and foremost a poet, and his poetry is today recognized as a significant influence on the Movement poets of the 1950s and 1960s.
James Wood is a staff writer at "The New Yorker "and a visiting lecturer in English and American literature at Harvard. He is the author of two essay collections, "The Broken Estate "and "The Irresponsible Self," and of a novel, "The Book Against God,"