America's most provocative intellectual brings her blazing powers of analysis to the most famous poems of the Western tradition and unearths some previously obscure verses worthy of a place in our canon. Combining close reading with a panoramic breadth of learning, Camille Paglia sharpens our understanding of poems we thought we knew, from Shakespeare to Dickinson to Plath, and makes a case for including in the canon works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn is a modern classic that excites even seasoned poetry lovers and continues to create generations of new ones.
About the Author
Camille Paglia is University Professor of Humanities and Media Studies at the University of the Arts in Philadelphia. She is the author of "Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson"; "Sex, Art, and American Culture"; and "Vamps & Tramps: New Essays." She has also written "The Birds," a study of Alfred Hitchcock. She lives in Philadelphia. "From the Hardcover edition."
“She flies as high as you can go. . . . Bold and convincing. . . . Exemplary. . . . A rich book.”
–The New York Times Book Review
“The chapter on Sylvia Plath’s ‘Daddy’ will take the top of your head off!” –James Wolcott
“As entertaining as it is dazzingly erudite, Break, Blow, Burn is capable of re-energizing any reader’s engagement with poetry.”
–Francine du Plessix Gray, The Week
“I hope a lot of people read this book. . . . There wasn’t a commentary where I didn’t learn something about the poem in question, no matter how familiar the poem was.” –Philip Marchand, Toronto Star
“It will have students storming the walls of tomorrow’s English departments, mad for poetry again.” –St. Petersburg Times
“Dazzling. . . . Bursts with her ingenuity. . . . Brilliant insights . . . permeate the book. . . . Readers receive a marvelous education.”
–Rocky Mountain News
“Paglia’s vision is always fresh. . . . She makes a fascinating and challenging reading companion. These essays will inspire anyone to turn back to poetry again.” –The Times (London)