From the modern master of noir, Andrew Vachss, comes this heart-topping and bestselling new thriller that completely reinvents the Burke series.
Urban Outlaw Burke barely survives an attack by a professional hit squad that kills his partner. With a new face, Burke goes into hiding. And on the hunt. Dead and Gone takes him from the streets of New York City through a cross-country underground, and deep into his own tortured past. The violent journey ends in a place that exists only in the dreams of the darkest degenerates on earth.
About the Author
Andrew Vachss, an attorney in private practice specializing in juvenile justice and child abuse, is the country s best recognized and most widely sought after spokesperson on crimes against children. He is also a bestselling novelist and short story writer, whose works include Flood (1985), the novel which first introduced Vachss series character Burke, Strega (1987), Choice of Evil (1999), and Dead and Gone (2000). His short stories have appeared in Esquire, Playboy, and The Observer, and he is a contributor to ABA Journal, Journal of Psychohistory, New England Law Review, The New York Times, and Parade. Vachss has worked as a federal investigator in sexually transmitted diseases, a caseworker in New York, and a professional organizer. He was the director of an urban migrants re-entry center in Chicago and another for ex-cons in Boston. After managing a maximum-security prison for violent juvenile offenders, he published his first book, a textbook, about the experience. He was also deeply involved in the relief effort in Biafra, now Nigeria. For ten years, Vachss law practice combined criminal defense with child protection, until, with the success of his novels, it segued exclusively into the latter, which is his passion. Vachss calls the child protective movement a war, and considers his writing as powerful a weapon as his litigation."
"Red-hot and serious as a punctured lung."
"Dead and Gone opens enough narrative veins--and introduces enough colorful new characters--to insure that Burke will live on as one of contemporary crime fiction's most durable creations."
--New York Post