Another rediscovered masterpiece from the Hungarian novelist whose Embers""became an international bestseller--a sensuous, suspenseful, aphoristic novel about the world's most notorious seducer and the encounter that changes him forever. In 1756 Giacomo Casanova escapes from a Venetian prison and resurfaces in the Italian village of Bolzano. Here he receives an unwelcome visitor: the aging but still fearsome Duke of Parma, who years before had defeated Casanova in a duel over a ravishing girl named Francesca and spared his life on condition that he never see her again. Now the duke has taken Francesca as his wife--and intercepted a love letter from her to his old rival. Rather than kill Casanova on the spot, he makes him a startling offer, one that is logical, perverse, and irresistible. Turning an historical episode into a dazzling fictional exploration of the clasp of desire and death, Casanova in Bolzano is further proof that Sandor Marai is one of the most distinctive voices of the twentieth century.
About the Author
Ne en Hongrie en 1900, Sandor Marai connait des ses premiers romans un immense succes. Antifasciste declare dans une Hongrie alliee a l Allemagne nazie, il est pourtant mis au ban par le gouvernement communiste de l apres-guerre. En 1948, il s exile et part pour les Etats-Unis ou il mettra fin a ses jours en 1989. Depuis une dizaine d annees, il jouit dans le monde entier d une reputation egale a celle de Zweig, Roth ou Schnitzler.
Laszlo Krasznahorkai was born in Gyula, Hungary, in 1954 and lives in the hills of Szentlaszlo, Hungary. He has written several novels and won numerous prizes, including Best Book of the Year in Germany in 1993 for The Melancholy of Resistance and the 2010 Brucke Berlin Prize for "Seiobo". His other books include "Animalinside", "Satantango", and "War and War".
“Scintillating. . . . An intricate duel of wits. . . . Casanova in Bolzano provides posthumous evidence of Marai’s neglected brilliance.” –Chicago Tribune
“A novel of philosophical adventure. . . . Suspenseful, ornate, discursive to the verge of synaptic collapse (ours), and witty to the occasional verge of terror. . . . Ingenious.”
–The New York Times Book Review