NEW YORK TIMES BESTSELLER
The voice belongs to a woman, but Dr. Alex Delaware remembers a little girl. It is eleven years since seven-year-old Melissa Dickinson dialed the hospital help line for comfort and found it in therapy with Alex Delaware. Now the lovely young heiress is desperately calling for the psychologist's help once more. Only this time it looks like Melissa's deepest childhood nightmare is really coming true.
A page-turner from beginning to end. Los Angeles Times
Twenty years ago, Gina Dickinson, Melissa's mother, suffered a grisly assault that left the budding actress irreparably scarred and emotionally crippled. Now her acid-wielding assailant is out of prison and back in L.A. and Melissa is terrified that the monster has returned to hurt Gina again. But before Alex Delaware can even begin to soothe his former patient's fears, Gina, a recluse for twenty years, disappears. And now, unless Delaware turns crack detective to uncover the truth, Gina Dickinson will be just one more victim of a cold fury that has already spawned madness . . . and murder.
About the Author
Jonathan Kellermanis the #1New York Timesbestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher s Theater, Billy Straight, The Conspiracy Club, Twisted, andTrue Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authoredDouble HomicideandCapital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored the first book of a new series, The Golem of Hollywood. He is also the author of two children s books and numerous nonfiction works, includingSavage Spawn: Reflections on Violent ChildrenandWith Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York."
“Vividly realistic . . . explores the subject with haunting emotional power.”—Playboy
“Spellbinding suspense . . . unforgettable.”—Houston Chronicle