SOPHISTICATED AND SUSPENSEFUL . . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.
" The New York Times Book Review
At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . Wilentz s] prose tugs at the reader. . . . The characters are magnetic. . . . This] is a very human tale of regrets, revenge, and the elusive nature of absolution.
" Entertainment Weekly
SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.
" Los Angeles Times
MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of "The New Yorker"'s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, "Martyrs Crossing" allows us unprecedented access to a little-understood and often misrepresented part of the world.
" Chicago Tribune
A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . "Martyr's Crossing" matches "Damascus Gate" in the quality of research and the mass of intriguing characters and yet it remains a lean thriller.
" The New York Observer
About the Author
Amy Wilentz is the author of "The Rainy Season", "Martyrs' Crossing", and "I Feel Earthquakes More Often Than They Happen". She has won the Whiting Writers Award, the PEN/Martha Albrand Non-Fiction Award, and the American Academy of Arts and Letters Rosenthal Award. She writes for "The New Yorker" and "The Nation" and teaches in the Literary Journalism program at UC Irvine.
“Powerful and poetic . . . [Wilentz’s] storytelling propels you headfirst into another world.”
Author of The Orchid Thief
“With intensity and skill, Amy Wilentz manages to show us the internal life of characters who are usually seen as journalistic subjects, those struggling in the complex and highly charged world of the Palestinians and Israelis. A deeply personal and tragic incident is at the center of this novel. The backdrop is one of political and social conflict, but the subject turns out to be the wider one of being human–of the difficulty of enduring loss and of trying to live by one’s beliefs when all the world seems to be against you.”
Author of Lust & Other Stories
“The strength of Martyrs’ Crossing . . . [is] its authentic and persuasive portraits of people trying to find their way through, and possibly past, the traps of history.”