Gideon. An identity shrouded in mystery - the anonymous source who holds the key to an explosive secret. In a clandestine meeting, writer Carl Granville is hired to take the pages of an old diary, articles, letters, documents in which all proper names and locations have been blacked out - and turn them into compelling fiction. He will be paid a quarter of a million dollars. But he can never tell a soul.
As he is fed information and his work progresses, Granville begins to realize that Gideon's book is more than just a potential bestseller. It is a revelation of chilling evil and a decades-long cover-up by someone with far-reaching power. He starts to have second thoughts. How will his book be used? Whose lives will be shattered? What is the truth behind the story - and who is the true storyteller?
Then someone close to Granville is bludgeoned to death. Another is savagely murdered. His apartment is ransacked, his computer destroyed, all his records stolen. Suspicion falls on Granville. He tries to explain the shadowy assignment. No one believes him. He has no proof, no alibis...
About the Author
Russell Andrews is a pseudonym for Peter Gethers. Under the Andrews name, he has written three international bestselling thrillers, Gideon, Icarus, and Aphrodite. When using his real name, he is a screenwriter, novelist, publisher, and the author of three bestselling nonfiction books, The Cat Who Went to Paris, A Cat Abroad, and The Cat Who ll Live Forever.
"THE EFFECT IS A BIT LIKE ROLLING DOWN A GRASSY HILL . . . YOU PICK UP SERIOUS SPEED. . . . Writer Carl Granville - down on his luck personally and professionally - is approached one day by a hotshot publisher who says she'll pay him a startling amount of money to turn a top secret diary into a novel. Gift from God or devilish trap? . . . The conspiracy he gets tangled in plays on some seriously topical fears."
"THE BOOK'S GOT EVERYTHING A BIG ADVENTURE THRILLER SHOULD - a potentially world-shaking secret, nearly invincible villains, vulnerable protagonists on the run, romance, [and] betrayal. . . . What takes it a step beyond . . . are the seriousness of its message and the playfulness with which it bites the hand that publishes it."
-Los Angeles Times
"FRANTIC . . . NOTHING IS EVER AS IT SEEMS."
-The Boston Globe
"THIS ONE WILL KEEP YOU GUESSING UNTIL THE END."