To read Gail Godwin is to touch the very core of human experience. With inimitable grace and aching emotional precision, Godwin probes our own complexities in characters whose lives oscillate between success and struggle, stoic resolve and quixotic temptation, bitter disappointment and small, sacred joys. Now with Evensong, she again translates our everyday existence into soul-touching truths as she brings to brilliantly realized life the people of a small Smoky Mountain town--and a woman whose world is indelibly altered by them.
About the Author
Gail Godwin, three-time National Book Award finalist, is the bestselling author of fourteen critically acclaimed novels, including Flora, A Mother and Two Daughters, The Good Husband, Evensong, and Father Melancholy s Daughter, as well as The Making of a Writer, volumes one and two, edited by Rob Neufeld. She s received a Guggenheim Fellowship, National Endowment of the Arts grants for both fiction and libretto writing, and the Award in Literature from the American Academy of Arts and Letters. She lives in Woodstock, New York.
"Rich. Satisfying. Luscious . . . Evensong reawakened in these weary eyeballs the joy of reading. . . . It's that old-fashioned concept, a good read."
"A DEEPLY CONSIDERED, EVEN DIGNIFIED NOVEL . . . One stays engaged with the story for sheer narrative hook: As with story lines from Dickens . . . you simply want to find out who does what to whom. . . . The final beauty of Evensong is its ability to address God--to address the mystery of faith by comprehending, then embracing, this premise of uncertainty itself."
--The Boston Sunday Globe
"EVENSONG LINGERS IN THE MIND. . . . Meticulousness and precision are, indeed, Godwin's greatest strengths. In matters liturgical and clerical, her command is impeccable."
--The New York Times Book Review
"[A] SENSITIVE, PERFECTLY PACED NOVEL . . . A story full of fresh, spiritual wisdom . . . Smashing one of the strangest taboos in American literature, Godwin may have finally brought religion back from the wilderness and made it a safe subject for literary fiction."
--The Christian Science Monitor
"[A] RICH NEW NOVEL . . . with the narrative verve and moral gravity that made earlier novels of hers so appealing."
The New York Times