A haunting and powerful story about war-torn Africa, a mystical orphan boy, and the power of narrative to give a chaotic world order.
In the hot African night a single gunshot cracks the silence. José Antonio traces the sound to the stage of the local theatre company, where he finds Nelio, the young prophetical leader of the city’s street kids, crumpled in blood. Nelio refuses to be taken to the hospital but instead tells Jose his life’s story: how bandits raided his village, his daring escape, and his struggle to survive on the streets. José is irrevocably changed. He becomes the Chronicler of the Winds, revealing Nelios’s magical tale to all who will listen.
About the Author
Henning Mankell is Sweden's bestselling author worldwide. His novels have been translated into thirty-seven languages with more than 30 million copies in print. The winner of many prizes, he divides his time between Sweden and Maputo, Mozambique, where he has worked as a director at Teatro Avenida since 1985. Ebba Segerberg has translated four of Henning Mankell's novels. She teaches at Washington University in St. Louis, where she lives.
Jens Peter Jacobsen (18471885) made his literary debut with the novella "Mogens" in 1872. Diagnosed with advanced tuberculosis two years later, he completed several more short stories and two novels.
Tiina Nunnally is the award-winning translator of numerous works of Scandinavian literature, including "Kristin Lavransdatter" (winner of the PEN/Book-of-the-Month Club Translation Prize).
“Mankell [is] a master storyteller.”
—The San Francisco Chronicle
“Admirable. . . . [Mankell is] a writer in search of metaphor and meaning. . . . [Which] makes for an elusively compelling narrative voice.”
—The Boston Globe
“Uplifting. . . . Chronicler of the Winds seems to widen his repertory, switching between the nightmarish, the dream-like and the grittily realistic. . . . Mankell evokes a saintliness among those whose brief lives have been tempered by genocide, exploitation and hardship.”
—The New York Times
“Cinematic and theatrical . . . structured by gorgeous moments of text that transcend the page and become vivid images seared onto the imagination.”
—Yale Daily News